Also in this issue, Debbie Millman discusses the Yellow Tail wine glasses designed by Michael Graves, Aaron Britt reviews Adrian Shaughnessy's book Graphic Design: A User's Manual, and Jeremy Lehrer talks to three professors who are developing a curriculum for sustainability.
Our full Table of Contents:
New Visual Artists
Our
annual portfolio of 20 emerging designers, illustrators, and photographers under 30.
Ellen Lupton, Joe Marianek (above), and Strange Attractors Design revisit seminal classroom assignments.
Dialogue
Steven Heller interviews Mirko Ilic on the pros and cons of pro bono work.
Observer
Rick Poynor asks why American galleries aren't exhibiting graphic design. Above: Kemistry Gallery in London.
Andrei Herasimchuk explains why the designer of the future needs to master multiple formats.
Plus: Five professors on avoiding the pitfalls—i.e., disasters—of putting your work online, Douglas Wolk on the latest Magnetic Fields album cover, Martin Fox remembers the icons of Tiananmen Square protests, Paul Shaw reviews Kis Antiqua Now, and Jude Stewart reviews Neuland: The Future of German Graphic Design.