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About the Author
Steven Heller is the cofounder and the cochair of the MFA Designer as Author program at the School of Visual Arts. He writes the Visuals column for the New York Times Book Review and the Graphic Content blog for T-Style; is editor of AIGA Voice; and is a contributor to Design Observer.  He is the author, coauthor, and/or editor of more than 120 books on design and popular culture, including the forthcoming New Ornamental Type (Thames and Hudson). More information can be found at Heller's homepage.
 
See all Daily Heller posts here.  

Just One of Glaser's Legacies

by Steven Heller
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"Milton Glaser's SVA: A Legacy of Graphic Design," a retrospective of nearly 100 works created for the School of Visual Arts, opens today at SVA's Visual Arts Gallery, 601 West 26th Street, in New York City. The exhibition includes Glaser's original artwork for posters seen by generations of New Yorkers as part of SVA's ongoing promotional subway campaign; preparatory sketches, on public view for the first time; and various rare pieces, including the 1963 announcement for the course Glaser taught at SVA with the late art director Henry Wolf (Esquire, Harper's Bazaar, Show). Also on view is the model for the kinetic sculpture atop the new Visual Arts Theater, which Glaser designed with a tip of the hat to Tatlin's Tower.

"I believe the work I've done for the School is more adventuresome than anything else I've done, primarily because of the audience," says Glaser, who has been on the faculty since 1960. The works in "Milton Glaser's SVA" are drawn from the Milton Glaser Collection at the Milton Glaser Design Study Center and Archives at SVA.
 
Glaser's founding gift to the Archives included some 700 pieces of original art, 1700 sketches, 380 posters, 150 prints, and other publications designed and/or illustrated by him. The exhibition is curated by Mirko Ilić, Beth Kleber (archivist), Francis Di Tommaso (who also designed the installation), and me.
 
On a personal note: Despite having seen much of this work over the past few decades, I was truly surprised by the breadth, depth, and modernity of the total output. 
 
August 31 through September 26, 2009
Visual Arts Gallery, 601 West 26th Street, New York City
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The Power Issue, in which we examine the true influence of design and the designer. On the cover: We asked Mirko Ilić to reinterpret one of the classic graphics created by Philippe Vermès during the 1968 French protests. To see the original, click here. To purchase print or digital copies of current or past issues of Print, click here.
 
 
 
 
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