Register  ▪  Login  ▪  Current Issue  ▪  Contact Us  ▪  Advertise
search
Skip Navigation Links
Resources
Inspiration
Competitions
Directory
Education
DesignCasts
Print Blogs
Shop
About Us
Subscribe
Job List
 
About the Author
Steven Heller is the cofounder and the cochair of the MFA Designer as Author program at the School of Visual Arts. He writes the Visuals column for the New York Times Book Review and the Graphic Content blog for T-Style; is editor of AIGA Voice; and is a contributor to Design Observer. He is the author, coauthor, and/or editor of more than 120 books on design and popular culture, including the forthcoming New Ornamental Type (Thames and Hudson). More information can be found at his homepage.
 
See all Daily Heller posts here.
 

Sweet New Sprite Logo

by Steven Heller
Share/Save/Bookmark
I'm not a big fan of the color green or soft drink logos or lemon lime soft drinks. But given the recent spate of rueful logo changes (i.e. Pepsi), my hat's off to Sprite. Although I nostalgically prefer the original can most of all (bottom), the latest incarnation (top) is conceptually very smart. That coupling of the lemon and lime into an S is a pretty tart combination, and an improvement on the earlier clam-like iterations. It took me half a second to see the "reveal," but once I did, it was pretty tasty.
 
If mass-market, sugar-laden soft drinks (the kind Mayor "sugar free" Bloomberg is attempting to ban from school vending machines) are to be judged on their health merits, Sprite is still too sweet (in the unhealthy sense) for my taste, but the logo itself is sweet in the good, teenage hipster sense of the word. The next Sprite challenge: Do something about the type.
 
 
 
 
 
 
Reader Comments
Login to add a comment. Not a registered user? Register Now!
Now,vandy1690,how silly...so what that Steve doesn't like green...everyone has their own personal color fetishes,plus what's does that have to do with serifs or san serifs? Best you look at the bigger picture and LOOK at the can design,and logo...then if your eyes,brain,and heart,are in focus,SEE it. If you have any sense of good design,you'll immediately note that it represents visual abuse of high order.Far more pathetic is that someone(s) were paid a tidy sum for such illitrate nonsense,very similar to the unreadable Pepsi logo,and hundreds of others uncreated by a group of cretins who are wholly dependent on computer graphics. I pity them,worse the public who has been fooled, as opposed to being enlighted. An unfortunate reality in present day culture and society.
By johnbaeder  April 01, 2010 
The new picture-mark is bold, but in my opinion the negative space letterform kind of grates as does the beveled/chiseled edges surrounding it. I understand the strength in cliché but it would have been nice to see a background that didn't illustrate ice cubes and bubbles. Perhaps one that was composed entirely of the silver/frost found at the top and bottom of the new design. This would allow a logotype that wasn't reversed out increasing legibility, and would also give the picture-mark more breathing space.
By Resinism  April 01, 2010 
How can you say you don't like a basic color like green. It is one-third of the light spectrum. It is like saying you don't like serifs or san serifs or scripts.
By vandy1690  April 01, 2010 
master class
Facebook  Flickr StumbleUpon Twitter
Share  Share this page with your friends.
Image of the Day

Image of the Day February 3, 2012 
It's Super Bowl weekend, so Ben Greenman, an Editor at the New Yorker breaks down how the football was designed. Via I Love Charts.

Most Recent Articles
Why Designers Still Can't Think
Power by Design
Gchatting with Jennifer Daniel
An Anatomy of Uncriticism
Print's February 2012 Issue
Most Popular

Carry Hope

13 designers create a custom tote bag for their favorite charity. Featuring the work of: Atelier Télescopique, Büro Destruct, Christoph Niemann, Deanne Cheuk, Ed Fella, Geoff McFetridge, Hort, James Joyce, Laurent Fetis, Rick Valicenti, Si Scott, Spin, and Sawdust. Order one today!
 
 
Check Out Past Issues

Subscribe to Print and get all 6 issues for just $40

In This Issue:
The Power Issue, in which we examine the true influence of design and the designer. On the cover: We asked Mirko Ilić to reinterpret one of the classic graphics created by Philippe Vermès during the 1968 French protests. To see the original, click here. To purchase print or digital copies of current or past issues of Print, click here.
 
 
 
 
June 2011 April 2011February 2011
Skip Navigation Links
Contact Us
Privacy Policy
Site Map
Job List
Copyright © 2012 by F+W Media.