In the Studio: Browns
by Print staff
We visited Jonathan Ellery, the founder of Browns, in the firm’s office to talk about his distracting cats and primitive typing skills....
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Dialogue: Arachne for the Digital Age
by Steven Heller
The New York–based textiles company Maharam is a fourth-generation, family-run business. It has been reinvented by each successive generation, which probably accounts for its unusual longevity in the dysfunctional realm of family businesses....
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Interview with Stefan Sagmeister
by Debbie Millman
Many years ago, in one of our previous interviews, I asked you what kind of project you’d like to work on that you hadn’t yet had an opportunity to do. You said it would be the redesign of a global identity. You have now accomplished that with EDP. Was it everything you hoped it would be?...
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Interview with Irma Boom
by Michael Silverberg
When Irma Boom makes a book, it’s not just a book but the book. The 50-year-old Dutch designer can spend years researching a project, and she insists on being a partner, not an employee....
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Interview with MacFadden & Thorpe
by Print staff
MacFadden & Thorpe is the studio of Brett MacFadden & Scott Thorpe who, while demonstrating a particular focus on expressive typography, collaborate with a variety of clients on many different types of projects....
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Interview with Chef Wylie Dufresne
by Print staff
The element of design is plated. The son of a designer and restaurateur, Chef Wyle Dufresne is known as one of the more creative and successful culinary artists working today—you might recognize him as one of the frequent guests on Top Chef....
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'Tis A Grand Day
by John Canemaker
From a precocious pig named Olivia to that little gold man known as Oscar, an introduction to Ireland’s vibrant animation scene....
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Sam Weber
by Jane Lerner
In a pop-culture landscape dominated by the likes of Twilight, Harry Potter, and Avatar, the mythical monsters, heroes, and villains drawn by Sam Weber fit right in. Born in Alaska, raised in several different Canadian provinces, and currently settled in Brooklyn, Weber marks his obsession with science fiction, fantasy, and fairy tales without falling into the territory of 10-sided dice....
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Oliver Munday
by Peter Terzian
In Oliver Munday's designs and illustrations, things often morph into other things. As a student at the Maryland Institute College of Art, Munday created a typeface out of plastic soldiers that he strategically set on fire and melted, producing an alphabetical army of the wounded and maimed. An illustration on the cover of a poetry book by the young inmates of a prison in Washington, D.C.--Munday's hometown--shows the ridges of a pencil turning into the iron bars of a jail cell. And in a recent poster for PieLab, an Alabama dessert shop and community space created by the design collaborative Project M, a slice of pie inverts to form a beaker....
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