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Adobe Presents: Transform Photoshop or Illustrator Artwork with Flash Catalyst




Wednesday, Sept. 8, 4pm EST

This free DesignCast will show you how to transform artwork created in Photoshop or Illustrator into high-quality interactive content that can liven up your web pages or make complex information engaging and easier to understand. Design simple projects in SWF format or tackle more complex projects built in collaboration with a developer. This webcast will guide you through the creation of a Flash Catalyst project using CS5 Design Premium.


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Most Recent Articles
Three Nonprofits Offer Insight into the Changing Sustainability Debate
Work With Us: Intern at Print
A Book Cover Anthology: Penguin Turns 75
Beyond Foamcore: James Victore Crafts a Cover for Print
The Complex Bonds Between Design and Surrealism
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In Print

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From the magazine, all things printed matter
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Three Nonprofits Offer Insight into the Changing Sustainability Debate
by Jeremy Lehrer
These organizations are creating innovative campaigns, developing guidelines, and doing the essential R&D that corporations, governments, and individuals are using to adopt more sustainable practices. Here, the leaders of three nonprofits offer insights about design’s role in the shift.... More
Work With Us: Intern at Print
by Print staff
Print is seeking talented and enthusiastic fall-semester editorial and design interns to showcase both their print and online skills. Gain invaluable hands-on experience in the day-to-day operations of an international magazine - all while earning college credit.... More
A Book Cover Anthology: Penguin Turns 75
by J.C. Gabel
To commemorate the publisher’s 75th anniversary, Paul Buckley edited Penguin 75, a book that collects a cherished Penguin cover design for every year of business, including many Classic Deluxe Editions. “To me,” Buckley says, “often more interesting than the covers themselves are the stories, and the psychology that created all the variables that led to one cover over the 20 others proposed.”... More
The Complex Bonds Between Design and Surrealism
by Rick Poynor
Surrealism has never received much attention in relation to graphic design. Where design histories touch on it, they rightly tend to see its adoption in promotion and advertising, in the 1930s, as a dilution. ... What's fascinating are cases where a designer or graphic artist connects in a more personal, direct, and continuous way to surrealist aims and image-making. A look at the the work of Elliott Earls, M/M Paris, Josef Vylet’al, and Jan Svankmajer.... More
The New Album Cover from The National
by Douglas Wolk
After last week's two-bill concert in New York City, here's an article from the most recent issue about the new album cover from The National: "Like the band’s music, the image is arty, cryptic, dense with occluded meaning, and built on the contrast between monochromatic austerity and explosions of full-spectrum detail."... More
August 2010
by Print staff
Our new issue is out! Featuring original art and strong opinions from Art Chantry, Joe Duffy, Barbara Glauber, Michael Ian Kaye, Oded Ezer, and many others. Also: regular columnists Rick Poynor on Surrealism, Khoi Vinh on the rise of apps, and Paul Shaw on Veljovic Script.... More
How 3 Corporations are Putting Their Green Foot Forward
by Jeremy Lehrer
Here's how John Delfausse (Estee Lauder), Scott Vitters (Coca-Cola), and Juergen Dornheim (Procter & Gamble) are expanding their life-cycle-assessment tools to lessen the footprint of products and operations from cradle to cradle.... More
Print in Motion: Noncommercial: Flickermood 2.0
by Print staff
Flickermood 2.0, an experimental kinetic type animation by Sebastian Lange, is based on fragments of “Mutability,” an 18th-century poem by the Romantic poet Percy Bysshe Shelley that happens to capture the emphemeral nature of the 21st-century digital environment... More
Print in Motion: Show Package: Ghe bharari
by Print staff
For the show package for the Indian television program “Ghe bharari,” creative director Varun Chawla had two goals in mind: to channel the painter Salvador Dalí and to capture a dreamlike space in which the camerawork is invisible.... More
Carry Hope: Our Favorite Reader Submissions
by Print staff
For the Carry Hope project in the June issue of Print, we invited our readers to choose a cause and create a design that could be printed a tote bag.... More
Print in Motion: Commercial Spot: Children's Hospital of Illinois
by Print staff
Surprisingly enough, it was a logo that served as the driving force for the two spots for The Children’s Hospital of Illinois. “The logo was very appropriate,” says competition judge Mark Kudsi. “They did a really good job with the way they used children’s blocks, took them apart, and reenergized the elements.... More
Print in Motion: Film Titles: Typophile Film Festival 5
by Print staff
For its fifth annual film festival for Typophile, Punchcut's Joe Pemberton and Jared Benson contacted their former schoolmate Brent Barson, who had created the opening titles for the previous four festivals with the help of the BYU graphic design department.... More

Carry Hope

13 designers create a custom tote bag for their favorite charity. Featuring the work of: Atelier Télescopique, Büro Destruct, Christoph Niemann, Deanne Cheuk, Ed Fella, Geoff McFetridge, Hort, James Joyce, Laurent Fetis, Rick Valicenti, Si Scott, Spin, and Sawdust. Order one today!
 
 
Check Out Past Issues

Subscribe to Print and get all 6 issues for just $40

In This Issue
Original art and strong opinions from Art Chantry, Joe Duffy, Barbara Glauber, Michael Ian Kaye, Oded Ezer, and many others. Also: regular columnists Rick Poynor on Surrealism, Khoi Vinh on the rise of apps, and Paul Shaw on Veljovic Script. Cover by James Victore.
See the complete Table of Contents

 
 
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