Editor's Letter: February 2010
by Emily Gordon
Emily Gordon pens an introduction to the February 2010 issue of Print, a celebration of the magazine's 70th anniversary....
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Zigmunds Lapsa
by Emily Gordon
Zigmunds Lapsa isn’t easily fazed. He grew up in Riga, the capital of Latvia, which he describes as a “country with 2.3 million people and 5.4 graphic designers at that time.” After two years in a local design program...
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Eleanor Grosch
by Emily Gordon
So many animals end up in the Eleanor Grosch universe—on the pillows, rock posters, and Keds where her designs appear, for instance—that a Dr. Dolittle comparison wouldn’t be off base. In fact, she named...
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Interviewing the Obsessives
by Emily Gordon
Emily Gordon interviews the four artists commissioned for Print's "Obsessives" article: Kate Bingaman-Burt, Nicholas Felton, Ellie Harrison, and John Freyer....
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Everybody Loves Rea Irvin
by Emily Gordon
The New Yorker’s first art editor—illustrator, cartoonist, man-about-town—helped make a typeface, and the magazine, immortal....
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Golden Age
by Emily Gordon
Review of The Complete New Yorker, an archive of 8 DVDs containing the magazine's entire contents....
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Door Policy
by Emily Gordon
As the face of Europe changes, the Netherlands is presenting mixed messages about immigration. Soft appeals for harmony "aren't very cool, are they?"...
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Ayaan Hirsi Ali
by Emily Gordon
"For the government to censor its own film to suit the taste of the radicals, the message you’re getting across is: If you shout hard enough, we will adopt our society to your tastes....
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Matthew Diffee
by Emily Gordon
"It seems to me that artists, and maybe particularly comedy creators, thrive in an environment of rebellion—a secret clubhouse of people who 'get it.' Anytime you can create or foster that atmosphere...
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Hooked on Comics
by Emily Gordon
Francoise Mouly discusses her new Toon books that she hopes will get comics in schools to teach literacy....
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