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Home  >  Monica Racic

Monica Racic

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Image of the Day

Image of the Day February 9, 2012 
"Lines and lines" by Peter Crawley. A hand stitched ampersand; 6804 pierced holes, 3402 stitched lines, and black cotton thread. See more here.

Most Recent Articles
Why Designers Still Can't Think
Power by Design
Gchatting with Jennifer Daniel
An Anatomy of Uncriticism
Print's February 2012 Issue
Most Popular
Second place: Second Story Interactive Studios' Bank of America Market Data Mirrors
by Monica Racic
Second Story Interactive Studios wins second place in Creativity + Commerce, Print's international design competition.... More
Third Place: Iconologic's HERE Issue 3
by Monica Racic
Iconologic wins third place in Creativity + Commerce, Print's international design competition.... More
First place: Hybrid Design's Branding Campaign for Impact Teen Drivers
by Monica Racic
Hybrid Design wins first place in Creativity + Commerce, Print's international design competition.... More
Creativity + Commerce Honorable Mention: Pangea Organics
by Monica Racic
Plant you now, dig you later: Print honors Pangea Organics for its sustainable--and beautiful--packaging design.... More
California Institute of the Arts
by Monica Racic
CalArts is an entirely immersive experience, with each class of 12 to 18 design students staying together during all four years of study. The students “become this weird kind... More
Cranbrook Academy of Art
by Monica Racic
Elliott Earls, the head of the graphic design program, describes Cranbrook as a “studio-based experience,” without formal teachers or classes, with artists-in-residence... More
Cooper Union
by Monica Racic
“We de-emphasize the profession,” Mike Essl, a professor at Cooper Union, says. “Rather than concentrating on the vocation, our program places the focus on artistic motive. Cooper Union remains one... More
Portfolio Class, School of Visual Arts
by Monica Racic
“Why spend that last year on getting a portfolio together for a job, when you could spend that year getting you ready for 10 years from now?” asks Paul Sahre. At the... More
Maryland Institute College of Art
by Monica Racic
“It’s really a real-world program,” explains Ellen Lupton, the director of MICA’s MFA program. She says that students can create, think, research, and write in ways that are “relevant to the public.”... More
Design Corps, Pratt Institute
by Monica Racic
“I felt like I was on American Idol, because we had to keep whittling it down,” says Anthony Butler, the executive director of the nonprofit St. John’s Bread and Life, about choosing a... More
Humanitarian Design and Sustainable Living Design, Academy Eindhoven
by Monica Racic
This two-year master’s program seeks to “create design for humanitarian needs,” says department head... More
D.School, Stanford University
by Monica Racic
“The process is as important or more important than the solution,” says George Kembel, the executive director of D.School. He explains that the program is about using... More
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Carry Hope

13 designers create a custom tote bag for their favorite charity. Featuring the work of: Atelier Télescopique, Büro Destruct, Christoph Niemann, Deanne Cheuk, Ed Fella, Geoff McFetridge, Hort, James Joyce, Laurent Fetis, Rick Valicenti, Si Scott, Spin, and Sawdust. Order one today!
 
 
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In This Issue:
The Power Issue, in which we examine the true influence of design and the designer. On the cover: We asked Mirko Ilić to reinterpret one of the classic graphics created by Philippe Vermès during the 1968 French protests. To see the original, click here. To purchase print or digital copies of current or past issues of Print, click here.
 
 
 
 
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