About Print
Print
is a bimonthly magazine about visual culture and design. Founded in
1940 by William Edwin Rudge, Print is dedicated to
showcasing the extraordinary in design on and off the page. Covering a
field as broad as communication itself—publication and book design,
animation and motion graphics, corporate branding and rock posters,
exhibitions and street art—Print covers
commercial, social, and environmental design from every angle.
Engagingly written by cultural reporters and critics who look at design
in its social, political, and historical contexts,
Print explores why our world looks the way it
looks, and why the way it looks matters.
In 2009,
Print was awarded the American Society of
Magazine Editors’ National Magazine Award for General
Excellence in its circulation category for the second year in a row. A five-time winner, Print has been cited numerous
times by the Society of Publication Designers, AIGA, The Art
Directors Club, and The Type Directors Club.
In its 2008 citation, ASME wrote: "Proving that just looking great isn’t
enough, Print stands out in a cluttered field with
its expansive view of its subject, its relentless curiosity, and its
determination to look at design not in a vacuum but as a crucial
gateway to popular culture, the environment, even politics."
Print's
contributing editors include Colin Berry, John Canemaker,
Michael Dooley,
Cathy Fishel, Martin
Fox, Steven
Heller, Jeremy Lehrer, Patric King, Debbie Millman, Rick
Poynor, Todd Pruzan, Ellen Shapiro, Paul
Shaw, Su,
Anthony Vagnoni, and
Tom Vanderbilt.
If
you are interested in writing for or advertising in the magazine,
please see our 2011 editorial calendar; you can view
it here. Advertisers should also consult our Advertising
Information and Print Media Kit information page. If you have
a question or comment, have an article idea to submit, need help with your subscription, or want to
order a DVD or back issue, here's how to contact
us.
Print magazine
38 East 29th Street, 4th Floor
New York, NY 10016
212-447-1400
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Aaron Kenedi, editor-in-chief, has written, edited, and designed for HarperCollins, Bulfinch, ESPN, TV Guide, Newsday, and the San Francisco Chronicle. He was the founder and editor-in-chief of Shift Media and was a founding team member
of Danilo Black with Roger Black in San Francisco.
Ben King, art director, moved to New York City in 2003 to work for Pompei AD. Ben has held positions at Pentagram (with Team Hayman and Team Bierut), Schematic and The New York Times. He is a graduate of Carnegie Mellon University.
Michael Silverberg, managing editor, has written about design, technology, and culture for The New York Times Magazine, Fast Company, I.D., and Details. He was formerly an editor at Metropolis.
Erin Semple, online education manager, oversees Design TV, HOW Design University, and DesignCasts for HOW and Print. She has served as a content editor for several consumer magazines. She also writes as a blogger for CBS Local. She holds a master’s degree in Publishing from New York University. She can be reached via email here.
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Image of the Day
It's Super Bowl weekend, so Ben Greenman, an Editor at the New Yorker breaks down how the football was designed. Via I Love Charts.
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