Lakeside
by Anna Malsberger
Looming over the baseline like long shadows on a rainy night, the characters in Mark Simonson's Lakeside are an homage to brush-script titles of 1940s film noir....
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Click to Run
by Andrei Herasimchuk
What's so right about Barack Obama's website? It's so damned gorgeous. It’s the kind of site that, once you’ve worked your way through every single drop shadow, gradient, icon, or title slug, makes you wish you had...
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Watch This Space
by Andrew Blum
Our technology columnist looks at how publishers are dealing with online video and finds that, despite the many obstacles for traditional media--it's expensive and time-consuming...
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Upward Mobility
by Andrei Herasimchuk
Advances in mobile technology are now at the stage where everything changes. It happened with personal computing in the mid-1980s, desktop publishing in the early 1990s...
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Empire State Building
by Paul Shaw
Empire State Building is a font family from Christian Scwartz and Paul Barnes that balances a reverence for history with an understanding of the demands imposed on a face intended for signage....
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The Constant Reader
by Andrew Blum
Our technology columnist looks at the Times Reader, a stand-alone application that pulls the Times’ web feeds into a custom-designed interface, with beautifully rendered versions of the print...
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Stilla
by Anna Malsberger
Stilla is a headline typeface for anyone waiting for Poster Bodoni to shrug off its restrained precision and get a little funky: It's defined by thick verticals, high contrast, and a self-assured boldness....
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