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Why I Became an Artist
by Mirko Ilic
Mirko Ilic finds a collection of images that serve as the best advertisements for the artistic life: the artist, a studio, and a (naked) model....
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Eastern Promises
by Admin
No more "bleak humor, drinking, illegal dens of inquity": The changing face of East London, in pictures by Paul Davis and words by Sukdev Sandhu...
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Milton Glaser on Shepard Fairey
by Admin
"I think unless you’re modifying it and making it your own, you’re on very tenuous ground. It’s a dangerous example for students, if they see that appropriating people’s work...
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Ayaan Hirsi Ali
by Emily Gordon
"For the government to censor its own film to suit the taste of the radicals, the message you’re getting across is: If you shout hard enough, we will adopt our society to your tastes....
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Matthew Diffee
by Emily Gordon
"It seems to me that artists, and maybe particularly comedy creators, thrive in an environment of rebellion—a secret clubhouse of people who 'get it.' Anytime you can create or foster that atmosphere...
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Interview with Joe Sacco
by Jami Attenberg
"The problem is the years of work drawing a book. Three or four major projects equals about two decades, and how many useful decades do I have? ... I wish I had four or five creative lives...
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Mark Porter
by Khoi Vinh
I’m staring to feel that there is a place on the web world for the sensibilities I grew up with in print. Of course there are many things about digital media that make them completely different, and you have to accept that...
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