Print in Motion winners; errata
Grids+Guides: The art director of McSweeney’s reveals his magic (ink). Plus, new covers for a Nabokov classic, Steven Heller goes ape, and NYC versus Paris versus Paris versus NYC.
Dialogue: Steven Heller in conversation with Sue Coe, the graphic chronicler of the slaughterhouse.
Stereotype: Paul Shaw and Stephen Coles survey the state of type education.
Observer: What became of the proud tradition of science-fiction graphics? Rick Poynor explores.
World View: Design and public space clash in the Lisbon subway.
Best Practices: The good works of Project M’s John Bielenberg.
Interaction: On digital Davids and Goliaths.
Education: How will design be taught in 2030? We have five predictions.
Back Issue: Editor emeritus Martin Fox recounts the failed future of Fantasia.
Reviews: Garbage Pail Kids get their due, and the casual abstraction of Christoph Niemann.
The Goods: James Biber and James Victore in the waiting room; a Pink Floyd album up in flames; Rodrigo Corral finds a new direction; and DIY website dismembering.
In the Studio: “Candy-Lad” Cyrus Highsmith shows us around his attic.
For the last 14 years, Print has featured an annual issue called the New Visual Artists, which introduces and profiles 20 of the most promising rising talents in graphic design, advertising, illustration, digital media, photography, and animation—all under the age of 30. This competition is invitation-only. Our choices are drawn from nominations made by art directors, designers, and critics.