The Polish artist and designer Stasys Eidrigevicius has a doppelgänger—or better yet, what he describes as a Russian copier.
Ed Sanders was a huge influence on my middle teens, when on Saturday nights I’d go to the Bridge on St. Marks Place and watch the FUGS, a scraggly band of East Village beat/hippies play songs like “Kill For Peace,” “Slum Goddess,” “Nothing,” “Boobs a Lot” and more. Ed Sanders and Tuli Kupferberg led the...
To commemorate the year of the monkey in the Chinese zodiac, Marshall Arisman has unleashed his Sacred Monkey family.
Steven Heller takes a look at "Delayed Gratification" and "Little Atoms," two independent British magazines.
Die Pleite (Bankrupt) was a radical, left-wing publication associated with the DADA Berlin movement from 1919–1924.
Steven Heller and co. from the Typography Workshop In Rome are accepting applications for the School of Visual Arts' summer event.
What's in that sack? The question is simple and the graphic response is a classic use of late '20s-era photomontage.
From the 1930s-40s, bright linen postcards with views of a faux painterly American landscape were the most popular kind of "wish you were here" sentiments.
In the Deco '30s, the Japanese type developed from classic characters was consistent with the Art Moderne trends in the Western nations.
Steven Heller talks with Martha Scotford about the exhibit and website for "Ernst Reichl: Wide Awake Typographer."