Michael Dooley looks at the albums, posters and other promotional materials featured in the visual music culture exhibition Revolutions 2: The Art of Music.
Design legend Milton Glaser reflects on his dear friend Massimo Vignelli.
Dooley talks with pop culture archaeologist Warren Dotz, author of books on design artifacts such as packaging labels for firecrackers... and Elephant Love.
The work of Lippincott's Rodney Abbot provides for brilliant brand identity examples—think Avianca, Southwest and a collaboration with Monotype.
Steven Heller showcases a set of poster stamps—small, yes, but of major significance to the histories of commerce, advertising and poster art.
The World's Fair that never happened began in 1936 when the Fascist Italian government was selected to host the Exhibition in Rome in 1941.
My fascination with brand design started with the soda-pop realm. I’d always loved leafing through old magazines and usually paid more attention to the advertising in them than the articles. Because my father had a collection of Life magazines beginning with the first issue in 1936 and continuing through the World War II years,...
If you’ve been captivated by the bold, atmospheric cinematography of Daredevil‘s first season on Netflix, you might want to seek out the similarly stunning comic book version by Alex Maleev. Series executive producer Jeph Loeb credits Maleev as a key visual influence: “With Alex’s art, we looked at that and said ‘that’s the look...
We may be on the verge of losing our letterheads, but even in the digital space they still have relevance. Here are a few Steven Heller found in Rome.
Inside Print’s Celebrating Milton Glaser, A Design Legend Collection, you’ll find a look at Glaser’s personal sources of design inspiration as well as meanderings on other works from Glaser. Editor’s Note: The visual representation of a brand is one of the most fundamental projects a designer can work on, but exceptional identity design can be hard...