Sagmeister & Walsh are at it again. For six months they've been working with advanced contemporary fashion brand MILLY on a rebranding that you have to see.
Steven Heller opens up a 1946 copy of "Color, Order and Harmony: A Color Theory for Artists and Craftsmen" by Paul Renner (creator of Futura), translated by Alexander Nesbitt.
Yellow book covers are huge again, say the pundits. Why and how - and where's a color fan to locate the sunniest designs out there? Here's your guide.
In 1941 The Composing Room published a Christmas gift for its customers: "The Devil's Pi" by Eli Cantor. In 1967, it was reillustrated and designed by Milton Glaser.
The author of a 30-year-old Print article on diversity, Cheryl D. Holmes-Miller, surveys the industry in our summer 2016 issue to see who is designing the solution to a problem that continues to this day. Here, we dig into the Print archives to share the articles that started the conversation. For more, visit www.printmag.com/summer-16 Black...
Nancy Sharon Collins delves into the challenges of using color matching systems for print projects that clients will first see on-screen.
Steven Heller presents sheet music published in Italy during the fin de siecle in the Art Nouveau style.
In part 2 of her guide to color matching systems, Nancy Sharon Collins outlines best practices for using color in design.
A crazy quilt of material concerning aspects of the Chicago Tribune that have injected themselves into J.J. Sedelmaier's personal and professional life.
In the season of eating down a supply of hard-boiled Easter eggs, the author defends the beauty of imperfectly - even haphazardly - dyed eggs.