Brían Cronín's charmingly illustrated "The Lost House" continues a long tradition of interactive "seek and find" books.
How much do you know about the color green? Watch to find out our favorite facts about it in this video.
Sometimes typography really is a matter of life and death. Are automakers keeping us safe with dashboard design and typography—both now and in the future?
The first of P! gallery's final shows is a good one: "Karel Martens: Recent Work."
Sagmeister & Walsh are at it again. For six months they've been working with advanced contemporary fashion brand MILLY on a rebranding that you have to see.
Steven Heller opens up a 1946 copy of "Color, Order and Harmony: A Color Theory for Artists and Craftsmen" by Paul Renner (creator of Futura), translated by Alexander Nesbitt.
Yellow book covers are huge again, say the pundits. Why and how - and where's a color fan to locate the sunniest designs out there? Here's your guide.
In 1941 The Composing Room published a Christmas gift for its customers: "The Devil's Pi" by Eli Cantor. In 1967, it was reillustrated and designed by Milton Glaser.
The author of a 30-year-old Print article on diversity, Cheryl D. Holmes-Miller, surveys the industry in our summer 2016 issue to see who is designing the solution to a problem that continues to this day. Here, we dig into the Print archives to share the articles that started the conversation. For more, visit www.printmag.com/summer-16 Black...
Nancy Sharon Collins delves into the challenges of using color matching systems for print projects that clients will first see on-screen.