During World War II, the Armed Forces required many specialists and laborers. If you went to art school before entering the service, there was a good chance you might be placed in a graphics unit producing anything from posters to manuals to camo and more.
Commercial art was one of many jobs available to draftees and enlistees. The manuals used for training were similar to the correspondence school genre that civilians used to learn basic skills.
Not every soldier fought with a gun and bayonet. And design was a craft that could easily be used in peacetime, too.
Get the latest issue of PRINT to discover our annual list of 15 of the best creatives today under 30. Plus …
- A look at the rebranding of an old industry made anew: marijuana
- A Manifesto from Scott Boylston on the dire need for sustainability in design
- Paul Sahre’s memoir/monograph Two-Dimensional Man
- Debbie Millman’s Design Matters: In PRINT, featuring Jonathan Selikoff
- And much more!