McLuhan’s Hot and Cool Media

In 1968 Marshall McLuhan—who had generated controversy with his generation-defining books The Gutenberg Galaxy, The Mechanical Bride: Folklore of Industrial Man, The Medium is the Massage, Understanding Media, etc., on the impact media has on social relations and the roles of typography on mankind’s present and future—was interviewed by Playboy magazine. I was reading it (here) and realized (once again) that despite references to the past, he predicted much of what has scuttled our democracy today. Here are a few excerpts. Though he refers to a past that many of you never lived through, the sentiments have relevance today. I urge you to read the entire interview.

 

mcluhan1234

Photo from McLuhan Galaxy

On Television’s Transformation of Politics:

PLAYBOY: How is television reshaping our political institutions?
MCLUHAN: TV is revolutionizing every political system in the Western world. For one thing, it’s creating a totally new type of national leader, a man who is much more of a tribal chieftain than a politician. Castro is a good example of the new tribal chieftain who rules his country by a mass-participational TV dialog and feedback; he governs his country on camera, by giving the Cuban people the experience of being directly and intimately involved in the process of collective decision-making. Castro’s adroit blend of political education, propaganda and avuncular guidance is the pattern for tribal chieftains in other countries. The new political showman has to literally as well as figuratively put on his audience as he would a suit of clothes and become a corporate tribal image—like Mussolini, Hitler and F.D.R. in the days of radio, and Jack Kennedy in the television era. All these men were tribal emperors on a scale theretofore unknown in the world, because they all mastered their media.

PLAYBOY: How did Kennedy use TV in a manner different from his predecessors—or successors?
MCLUHAN: Kennedy was the first TV president because he was the first prominent American politician to ever understand the dynamics and lines of force of the television iconoscope. As I’ve explained, TV is an inherently cool medium, and Kennedy had a compatible coolness and indifference to power, bred of personal wealth, which allowed him to adapt fully to TV. Any political candidate who doesn’t have such cool, low-definition qualities, which allow the viewer to fill in the gaps with his own personal identification, simply electrocutes himself on television—as Richard Nixon did in his disastrous debates with Kennedy in the 1960 campaign. Nixon was essentially hot; he presented a high-definition, sharply-defined image and action on the TV screen that contributed to his reputation as a phony—the “Tricky Dicky” syndrome that has dogged his footsteps for years. “Would you buy a used car from this man?” the political cartoon asked—and the answer was no, because he didn’t project the cool aura of disinterest and objectivity that Kennedy emanated so effortlessly and engagingly.

PLAYBOY: Did Nixon take any lessons from you the last time around?
MCLUHAN: He certainly took lessons from somebody, because in the recent election it was Nixon who was cool and Humphrey who was hot. I had noticed the change in Nixon as far back as 1963 when I saw him on “The Jack Paar Show” [the original “Tonight Show”]. No longer the slick, glib, aggressive Nixon of 1960, he had been toned down, polished, programed and packaged into the new Nixon we saw in 1968: earnest, modest, quietly sincere—in a word, cool. I realized then that if Nixon maintained this mask, he could be elected president, and apparently the American electorate agreed last November.

PLAYBOY: How did Lyndon Johnson make use of television?
MCLUHAN: He botched it the same way Nixon did in 1960. He was too intense, too obsessed with making his audience love and revere him as father and teacher, and too classifiable. Would people feel any safer buying a used car from L.B.J. than from the old Nixon? The answer is, obviously, no. Johnson became a stereotype—even a parody—of himself, and earned the same reputation as a phony that plagued Nixon for so long. The people wouldn’t have cared if John Kennedy lied to them on TV, but they couldn’t stomach L.B.J. even when he told the truth. The credibility gap was really a communications gap. The political candidate who understands TV—whatever his party, goals or beliefs—can gain power unknown in history. How he uses that power is, of course, quite another question. But the basic thing to remember about the electric media is that they inexorably transform every sense ratio and thus recondition and restructure all our values and institutions. The overhauling of our traditional political system is only one manifestation of the retribalizing process wrought by the electric media, which is turning the planet into a global village.

PLAYBOY: Would you describe this retribalizing process in more detail?
MCLUHAN: The electronically induced technological extensions of our central nervous systems, which I spoke of earlier, are immersing us in a world-pool of information movement and are thus enabling man to incorporate within himself the whole of mankind. The aloof and dissociated role of the literate man of the Western world is succumbing to the new, intense depth participation engendered by the electronic media and bringing us back in touch with ourselves as well as with one another. But the instant nature of electric-information movement is decentralizing—rather than enlarging—the family of man into a new state of multitudinous tribal existences. Particularly in countries where literate values are deeply institutionalized, this is a highly traumatic process, since the clash of the old segmented visual culture and the new integral electronic culture creates a crisis of identity, a vacuum of the self, which generates tremendous violence—violence that is simply an identity quest, private or corporate, social or commercial.

 

On the Balkanization of the United States:

PLAYBOY: On what do you base your prediction that the United States will disintegrate?
MCLUHAN: Actually, in this case as in most of my work, I’m “predicting” what has already happened and merely extrapolating a current process to its logical conclusion. The Balkanization of the United States as a continental political structure has been going on for some years now, and racial chaos is merely one of several catalysts for change. This isn’t a peculiarly American phenomenon; as I pointed out earlier, the electric media always produce psychically integrating and socially decentralizing effects, and this affects not only political institutions within the existing state but the national entities themselves.

All over the world, we can see how the electric media are stimulating the rise of mini-states: In Great Britain, Welsh and Scottish nationalism are recrudescing powerfully; in Spain, the Basques are demanding autonomy; in Belgium, the Flemings insist on separation from the Walloons; in my own country, the Quebecois are in the first stages of a war of independence; and in Africa, we’ve witnessed the germination of several mini-states and the collapse of several ambitiously unrealistic schemes for regional confederation. These mini-states are just the opposite of the traditional centralizing nationalisms of the past that forged mass states that homogenized disparate ethnic and linguistic groups within one national boundary. The new mini-states are decentralized tribal agglomerates of those same ethnic and linguistic groups. Though their creation may be accompanied by violence, they will not remain hostile or competitive armed camps but will eventually discover that their tribal bonds transcend their differences and will thereafter live in harmony and cultural cross-fertilization with one another.

This pattern of decentralized mini-states will be repeated in the United States, although I realize that most Americans still find the thought of the Union’s dissolution inconceivable. The U.S., which was the first nation in history to begin its national existence as a centralized and literate political entity, will now play the historical film backward, reeling into a multiplicity of decentralized Negro states, Indian states, regional states, linguistic and ethnic states, etc. Decentralism is today the burning issue in the 50 states, from the school crisis in New York City to the demands of the retribalized young that the oppressive multiversities be reduced to a human scale and the mass state be debureaucratized. The tribes and the bureaucracy are antithetical means of social organization and can never coexist peacefully; one must destroy and supplant the other, or neither will survive.

 


The 2017 PRINT RDA is Now Open.

Enter the most respected competition in graphic design—now open to both pros and students—for a chance to have your work published, win a pass to HOW Design Live, and more. 2017 Judges: Aaron Draplin / Jessica Hische / Pum Lefebure / Ellen LuptonEddie OparaPaula Scher. Student work judges: PRINT editorial & creative director Debbie Millman and PRINT editor-in-chief Zachary Petit.

Enter by the Early Bird Deadline of March 1 and save on all entry fees.

RDA_2017_logos_web_800x200-1


hdl-2017-nodate

One thought on “McLuhan’s Hot and Cool Media

COMMENT