The most recent issue of "Eye" is exceptional for its loyalty, fealty and important coverage of print with barely a word on the digital.
Johan Liedgren critiques the recent film Design Disruptors and offers an alternative perspective on what it truly means to "disrupt" the industry.
Steven Heller looks at the logo for Richard Spencer's white nationalist movement.
Jessica Helfand is unafraid to question design dogma, pick apart jargon, investigate the motives and impulses of the field. Read a fascinating interview with her from Ken Gordon.
"The Disasters of War" by Francisco Goya is arguably as or even more powerful and poignant than any of the other timeless anti-war artworks—which is why their presence on wine bottles raises some questions.
American artist Charley Harper (1922–2007) drew inspiration from the environment, inventing a style now deemed “minimal realism” in the process.
On Nov. 12 I will be the host for a wonderful array of talks on the state of design books: DESIGNERS & BOOKS FESTIVAL: ONSTAGE & OFFSTAGE.
Steven Heller looks back to The New York Times' grunge typography ad campaign by Bozell.
The billion dollar launch of the iPhone was met with petty complaints and indifference, highlighting the need for a Maslowian story-pyramid.
Henri Matisse is best-known as a painter, but here, Steven Brower explores his design work, including posters and book cover designs.