There seems to be no end of amazing talents who live in or emigrated from Poland. Among the masters is Andrzej Krajewski (b. 1933), who was somehow unknown to Steve Heller until he found a book of his book covers and jackets edited by Tytusa Klepacza
PRINT talks with curator, design critic and doctoral researcher Frederico Duarte about the local impact and global appeal of contemporary Brazilian design, and how Brazilian designers are showing us how to create a future that is larger than a country.
If you were living in an American city such as Philadelphia or Pittsburgh in years past, one of the pleasures of picking up your Sunday color sections would be finding a "Complete Novel" in a tabloid format similar to the Funny Pages. Pretty interesting method of getting readership. But not that unusual.
J.J. Sedelmaier partners with Peter Paeth to bring you this extensively researched article about commercial artist Louis Paeth, whose career serves as a wonderful example of how many illustrators and designers navigated the world of commercial art during much of the 20th century.
Heller gives us a look into two museums he recently visited in Warsaw, a city with a long legacy as a capital of design innovation.
Design and politics have had an immense crossover the past decade, and the Design Museum in London is opening a new exhibition on March 28 that taps into this crossover.
Heller talks with Scott Boms, design lead and and studio manager of the Analog Research Lab at Facebook in Menlo Park, who is the caretaker of some Marshall McLuhan artifacts and the next generation of McLuhan thinking.
As debates on important social topics like immigration and surveillance continue to heat up, artists have responded in kind. One such artist is designer Blazo Kovacevic, an immigrant from Podgorica, Montenegro who has explored these topics through myriad projects, his latest being "Incited."
Boxed matches did not set Iran ablaze when in January 1978 the revolution lit the way for the end of the Pahlavi (Shah of Iran) dynasty, but the artifacts collected in a book of matchbox labels provides a curious history of what led up to the turnover of government and way of life for...
Spectators at the Winter Olympics are treated to an aggressive parade of brands and branding—but this year, 169 Olympic Athletes from Russia were forced to wear plain uniforms and march under a plain white Olympic flag. In terms of logos and branding, is this the equivalent of generic products from the 1970s?