Tibor Gönczi Gebhardt was a Hungarian grafikusmüvész and poster artist whose art deco style was his meat until after 1945, when with the rise of Communism he turned to socialist realism.
Polish design historian Dr. Piotr Rypson conceived a project that commemorates the 100th anniversary of the first Polish avant-garde exhibition of Polish Formists-Expressionists. The result? Four postage stamps with illustrative and typographic work represented by Poland's leading progressive artists.
Mark Holt and Hamish Muir conceived one of the most progressive type journals of the mid- to late 1980s: Octavo. Unit Editions has published a complete reprint of the issues as well as reproductions of the handmade mechanicals and proofs. Here, Heller talks with Holt and Muir about the magazine.
J.J. Sedelmaier partners with Peter Paeth to bring you this extensively researched article about commercial artist Louis Paeth, whose career serves as a wonderful example of how many illustrators and designers navigated the world of commercial art during much of the 20th century.
Heller gives us a look into two museums he recently visited in Warsaw, a city with a long legacy as a capital of design innovation.
If it’s a nearly 300-page graphic novel about the history of crossword puzzles, and it’s titled Fun, then it better be pretty damn entertaining. And yes, Italian artist Paolo Bacilieri delivers the fun, both narratively and visually.
When the George Master Garment Corp issued their catalogs for monogrammed work uniforms "for every industry" and hometown bowling teams too, it was akin in the blue collar world to the latest runway extravaganza for the high fashion universe.
Letraset: The DIY Typography Revolution, edited by Adrian Shaughnessy and Tony Brook of Unit Editions, is the first comprehensive history of Letraset, the rubdown lettering system "that revolutionized typographic expression." Hellers talks with Shaughnessy about what was at the bottom and top of that revolution.
English cartoonist/illustrator Arthur Wragg (1903–1976) produced books on Christian Socialist themes, primarily between the two World Wars. The pieces in his book Jesus Wept are attacks on politicians and warmongers who claim that God is on their side.
These days when we think Russia, we think election tampering, Putin authoritarianism and the future of peace and well-being. As a respite from the tension, there is a certain irony in the admiration for Russian post-revolutionary posters, especially those representing the triumph of the working class designed by Gustav Klutsis. This month !Productive Arts!...