2012 New Visual Artist: Casper Heijkenskjöld

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Flyer for the music festival Strøm, 2011

Flyer for the music festival Strøm, 2011

There is nothing better than getting paid to do what you love—except, perhaps, learning it from the person you admire the most. “Since I was about 12, I knew I wanted to draw for a living,” says Casper Heijkenskjöld. His role model was Stefan Sagmeister. So in Heijkenskjöld’s sophomore year of college, he e-mailed the famed Austrian-born designer’s studio about an internship. He got a personal response from Sagmeister almost immediately—asking if he could start two years later.

Age: 27

Graphic Designer

From: Malmø, Sweden

Lives in: Copenhagen

Website: www.casperheijkenskjold.com

Despite the delay, a mutual appreciation developed during Heijkenskjöld’s internship. “Even though he is properly grounded in the graphic aspects of design,” Sagmeister says, “Casper feels confident and comfortable in many disciplines, resulting in seriously wonderful live-action and animated video projects as well as small and large sculptural endeavors. He has fabulous ideas and knows how to execute them well, the best thing I can say about any designer.”

Since Heijkenskjöld struck out on his own in 2010, his clients have included musicians, fashion labels, and nightclubs. “I got into fashion because I love clothes,” he says, but it was love that kept him there. His girlfriend interned at the quirky Danish label Moonspoon Saloon, and while he was visiting her, he found out that they needed a Christmas card designed. He happily obliged.

Posters for the nightclub Smuts, 2010

Posters for the nightclub Smuts, 2010

"Anthem" music video for Black Rose, 2011

"Anthem" music video for Black Rose, 2011

"Ceci n'est pas un plamier," 2011

"Ceci n'est pas un plamier," 2011

Heijkenskjöld has also worked on a number of animated music videos, including a collaboration with his brother for a reggae-influenced house track called “Anthem,” by the group Black Rose. The video features a parade of illustrated animals, including an alligator, a crab, and a giraffe. “Because it had a very abstract concept, I chose to illustrate the feeling of the music rather than a concept,” he says. “I wanted to capture the joy I felt when listening to the track.”

Covers for the Finnish record label Top Billin, 2010-2011

Covers for the Finnish record label Top Billin, 2010-2011

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