Brad Holland is my oldest professional friend and colleague. Without him, frankly, I don’t know where I’d be today (possibly retired from a desk job in the U.S. Air Force, which was one of my earliest ambitions). He introduced me to (in no particular order): the work of great designers, particularly Herb Lubalin; a new way of conceptual thinking and other illustration techniques; Ruth Ansel, who got me my job at The New York Times; and artistic integrity that has been a high and admirable bar to strive for (even if not always reached).
I stopped drawing cartoons because Brad did not say they were any good — but that pushed me into art direction and later writing. I learned about the great satirists and caricaturists of the 18th and 19th centuries, thanks to Brad, and started writing about them, in a way, for Brad.
Don’t worry, this is not a memorial. He’s still very much with us, and extraordinarily active — not only fighting for artists’ rights against the anti-copyright movement, but doing his art and now writing about it too. I’ve always loved his writing; it was sincere yet ironic, smart, and soothing, just like his best talks and lectures. But he never did enough of it. He started a memoir once, but never finished it. Believe me, that’s too too too bad for all of us.
Yet now — Internet be praised — thanks to Drawger.com, the website/community for illustrators, he is actively blogging under the rubric “Poor Bradford’s Almanac,” and some of his posts are preludes to his grander memoir.
I may be biased, as I am featured in one about Brad’s early work on the Times’ Op-Ed page, but I swear these are worth your reading time. Admittedly, I’m embarrassed to say I didn’t know about these before yesterday, but I will make amends, as Mr. Scrooge might say, and keep Poor Bradford’s Almanac in my heart always.
(In his most recent post, Brad notes the following for more information about himself and others: “The documentary “Forty Years of Op-Ed Art” was produced by The New York Times and posted on its website September 26, 2010. It was produced, edited and directed by Aviva Michaelov, current art director of the Op-Ed page and Gabriel Johnson. Steve Heller, a former Senior Art Director of the Times, collaborated as writer and narrator. And for more personal perspective on the art and artists of the Op-Ed page, see All the Art That’s Fit to Print (And Some that Wasn’t) by Jerelle Kraus. Jerelle followed Suares, Heller, Pam Vassil and others as Op-Ed’s art director, and no one so far has held that position longer nor done did more to sustain and extend the premise of art as an independent means of expression.” )