The Wonderful Color Wheel: Part 1

How many ways can you reshuffle the rainbow? Three, as a matter of fact, if modern color theory is to be believed: Pantone numbers for print designers and brand managers; hex, RGB, and CMYK values for web designers; and CIELAB and CIECAM02 color models for the scientific community. But while the science of color models is largely settled, all that rigorous theory still doesn’t quite squeeze out the sense of fallible humanity underpinning the history of the color wheel.

All it used to take was a load of brilliant chutzpah, a dogged sense of orderliness, and just a smidgen of actual science to impose your personal order over the color universe. This post and the next salute the color giants of centuries past and their often-fanciful, sometimes inaccurate, but always wildly rollicking wheels.

Slightly dotty in the science department but much-loved by generations of art historians and philosophers, Johann Wolfgang von Goethe’s Theory of Colours coincided with this wheel (left) he designed in 1810. In the book, Goethe rebutted Newton’s color-spectrum theory by imagining darkness not just as absence of light but as its own active force. As light struck dark, in Goethe’s view, their battle threw off observable sparks of color.

During the week, Goethe devoted himself to such legend-building stuff as inventing the Italian tour, discovering the human intermaxillary bone, and giving voice to Sturm und Drang and Weltliteratur. But Goethe spent his weekends breathing on glass panes, prodding chocolate-froth bubbles, and flapping his arms in broad daylight, then jotting down how colors changed in each observation. The resulting catalog is an impressive confluence of exhaustive scientific inquiry and pointillistic word-art.

But Goethe had quite a few predecessors, some more wedded to the wheel-shape in quantifying color than others. (It’s an oddly Germanic list, too, these would-be color scientists.) In 1686, Richard Waller’s “Table of Physiological Colors Both Mixt and Simple” offered a handy table for cross-referencing colors one might find in nature samples. If a shade didn’t match exactly, Waller explained, it was a simple matter to locate where on the table’s color-continuum that shade might fall:

The table format, as is obvious to us today, had serious limits primarily because of the vast number of shades that fell between the divisions in color in any table. Even vast catalogues like the Pantone-esque Viennese Color Collection or Complete Book of Samples of all Natural, Basic, and Combined Colors, compiled by Johann Ferdinand Ritter von Schönfeld, in 1794, couldn’t catalogue every single color – and comprehensive catalogues also tended to be huge, unwieldy and expensive.

In 1769, Jacob Christian Schäffer – a naturalist, inventor and German Evangelical superintendent of Regensburg – tackled this natural limitation of the table format in his own color system. He gave blue, red, and yellow pride of place in his hierarchy, explaining how these primary colors could be combined to create a multitude of shades in between:

Photograph © 2002 Board of Trustees, National Gallery of Art, Washington, D.C. via The Creation of Color in Eighteenth Century Europe by Sarah Lowengard

No wonder color scientists hewed back towards color wheels and other means of suggesting an infinite color continuum. [Image via] Ignaz Schiffermüller was a Viennese butterfly expert whose 1775 color wheel was designed to help him accurately identify the colors he encountered in nature studies:

The color wheel above rolled hard on the heels of Moses Harris’ 1766 model from the Natural Systems of Colors. This particularly fine specimen was the British entomologist’s attempt to explain the color interplay he saw in his own favorite kind of bugs, flies:

Although it would be some time before the color wheels concept finally took over, the notion of suggesting color relationships through smarter information design had taken root.

Go here for Part 2

[Thanks to Sarah Lowengard’s impressive project The Creation of Color in Eighteenth Century Europe and COLOURLovers’ concise summary of the project for great inspiration.]

+
More from Jude Stewart: Coloring for Grown-ups [Imprint]

 

Related Articles:

ADD A COMMENT

62 COMMENTS

  1. Pingback: Reshuffle The Rainbow «

  2. Pingback: color, an overview | midnight mind

  3. Pingback: Colour Wheel |

  4. Pingback: Fabulous Functions by Julie Lyford

  5. Pingback: History of the Color Wheel | Part 1 — Imprint-The Online Community for Graphic Designers | gallery of art by alice flynn

  6. Pingback: Vintage Hand Made Color Wheel | pixelFlyte's Blog

  7. Pingback: Color Theory «

  8. Pingback: Historical Color wheels | Tonick web Torino

  9. Pingback: Color Wheel Photo ♥ | Photography by Betty Elaine Color Wheel Photo ♥ | Everything ridiculous under the sun

  10. Pingback: Antique Colour Charts | Kaleidoscope

  11. Pingback: History of the Color Wheel |

  12. Pingback: Guest Palettes

  13. Pingback: Fascinating Versions of the Color Wheel | Perceive Media Group – Blog

  14. One word, Vanda: oversight. (Or maybe the better word is “typo”.) Hex and RGB values are more useful to web designers, while CMYK and Pantone numbers are more on the print designer’s radar. Then again, distinctions like these are fast disappearing – lots of designers today work across print and web, often porting projects along with them. But your observation is technically correct – sorry about that.

  15. Pingback: Behind the Color Wheel…The history | A Chic Direction

  16. Pingback: Antiguas ruedas y cartas de color | Mundo Extraordinario

  17. Pingback: brief history of colour theory – little house

  18. Pingback: The Weekend Dish: Color Love | Apples & Onions

  19. Pingback: Fuzzysack | History of the Color Wheel

  20. Pingback: Twitted by mary_longshore

  21. Pingback: depinfographie - Site sur le DEP en infographie

  22. Pingback: Creative color palettes | Emily Papp

  23. Pingback: MMMmmm… | BANG BANG!

  24. i’m also interested in obtaining prints/posters of these. they’re so beautiful! please let me know when prints of these become available–would buy them in an instant. thanks!

  25. Pingback: Daily dose of (Meta)Trash, 7. October 2010 | Metatrash

  26. Pingback: Morning Linkage (Oct 7)

  27. Pingback: Orleans Paperie » The Wonderful Color Wheel

  28. Pingback: Ancient color wheel | blog | theideasketchpad®

  29. Pingback: History of the Color Wheel | We like that

  30. Pingback: History of the Color Wheel - Nerdcore

  31. In answer to Kim and Vicki, who wondered where you can buy posters of these images: I don’t know of any vendor right now providing that. However, smelling opportunity, I’ve floated the idea of posters based on these images as a product in Print’s MyDesignShop. Clearly, there’s demand out there, and we’d be glad to fill it if we can! Will report back here if and when there’s progress on that front.

  32. Pingback: Antique Color Wheels | Spicy Magazines

  33. Pingback: Twitted by nPresscreative

  34. Pingback: History of the Color Wheel «

  35. Pingback: creative inspiration | identity-focused design by heather parlato

  36. Pingback: Imprint-The Online Community for Graphic Designers | The Wonderful Color Wheel: Part 2

  37. Pingback: Make The Size Matter « e377

  38. Pingback: Twitted by LogosGuide

  39. Pingback: Twitted by ryvon

  40. Glad you liked, Mookstar. It’s a little amazing for how long people have been trying to get a scientific handle on how colors relate. Personally I’m a sucker for scientific histories that trace the evolution of people’s hunches more than strictly accurate science, and this storyline definitely qualifies in that category.

    Jude

  41. Pingback: Twitted by calxdesign

  42. Pingback: Four Design Links: July 15, 2010 -- BlogLESS: A Blog about Design Ethics