Jessica Helfand is unafraid to question design dogma, pick apart jargon, investigate the motives and impulses of the field. Read a fascinating interview with her from Ken Gordon.
"The Disasters of War" by Francisco Goya is arguably as or even more powerful and poignant than any of the other timeless anti-war artworks—which is why their presence on wine bottles raises some questions.
Steven Heller takes a look at 2016, and decides that 2017 must be all about a new era of typographic education.
How to use symbols in the service of viable information has been an ongoing topic for visual communicators, as "The Challenge of Symbology" (1959) attests.
Amid the rise of fake news, Michael Dooley revisits a 2000 AIGA Journal profile of iconic satirist Paul Krassner and his pioneering publication, The Realist.
In this piece on storytelling in design, film and advertising, Johan Liedgren explores different theories on the finite number of plots and what they mean for the process of building narratives.
Steven Heller talks with Steven M. Johnson about his new book "Patent Depending"—a collection of satirical inventions.
Tokyo graphic designer Kenya Hara is synonymous with the changing face of contemporary Japanese design.
Monotype's new Between typeface offers three different designs, each with eight weights plus italics, to satisfy a range of moods while maintaining consistency and harmony.
Photographer and art director Henry Hargreaves is best known for playing with his food.