Just returned from the MODA (Museum of Design Atlanta) exhibition Paul Rand: Defining Design, and if you have any reason to be in Atlanta do not miss it. Culled from many collections are original collages and comps for some key work and many printed pieces that will surprise even the most avid Rand-fan. Here are some highlights.
What’s fun about looking at old cigarette advertising is how guileless they were. Take this advertisement for Omar Cigarettes. The portrait of the gent on the links who’s played a “bully round” looks, well, like the epitome of an anti-tobacco message. The linkage between the headline “When a Cigarette Tastes Sweetest” and the wizened granddad is off the mark.
Taschen’s latest mammoth volume, Fritz Kahn by Uta and Thilo von Debschitz is about a German doctor, educator, popular science writer and information graphics pioneer whose work translating the human organism into accessible human metaphors and analogies, has all but fallen into oblivion. Here is an excerpt.
The now mythic Gastrotypograhicalassemblage (35 feet wide by 8.5 feet tall) three-dimensional mural designed by Lou Dorfsman with typography by Herb Lubalin and Tom Carnase was finished in 1966. In 2008, it was announced that The Culinary Institute of America in Hyde Park, New York, would restore and display it on their campus. I recently asked Stephan Hengst, CIA’s Marketing Director, to tell me more about the restoration and future for this Mid-Century Modern masterpiece.
In this interview with Dallas Graham, this designer discusses his work with The Red Fred Project, social entrepreneurship and his Jolly Troop of diacritical birds. Graham describes how he became involved in creating “original, one-of-a-kind stories with children with critical illnesses,” discusses the children and families he has worked with and looks to the future of the project.