As a subject, color is emotional, turbulent, “hot.” (Don’t believe me? Two posts’ worth of hotheaded quotes by famous people about color should help you revise your opinion in a hurry.) That’s why – paradoxically – it thrills me to consider the flipside of color: its coolly abstracted life as a mere data-point. In...
Steven Heller talks with Stefanie Posavec and Giorgia Lupi about their transcontinental postcard project, "Dear Data."
In the Spring 2015 issue of Print, Rick Poynor tackles the timeless question of whether the past is better left alone in graphic design.
Steven Brower explores the visual art of Orson Welles.
What makes a funny design funny? Learn how to think like a comedian & solve like a designer in this excerpt from Design Funny.
Print chats with RDA judge Stephen Doyle, "the ultimate designer's designer," and takes a look at seven of his brilliant pieces.
Michael Dooley talks with Mike Salisbury, the art director behind the iconic album cover that distinguished the King of Pop from the rest of the Jackson 5.
What’s the best way to manage your creative business finances? How do you go about pricing design work? Learn how with The Creative Professional’s Guide to Money by Ilise Benun. Like many graphic designers, I could use a little more work right about now. Good, challenging work from clients who have interesting assignments and...
Ben Shahn's The Shape Of Content is hands-down the best book about making consequential art and design and the pitfalls thereof. Here's why.
Learn more about Maece Seirafi and Pouya Jahanshahi's exhibition, Local Not Local, that includes local and Middle East client work and focuses on Arabic and Iranian typography.