The human body is a wonderful thing. But trying to explain it through art and design may be even more wonderful. This pamphlet reminds me of film "The Shape of Water."
Finally! There’s a smart, insightful book that critically examines the works one of America’s most important comics writer-artists of the past half-century.
When Steven Heller was 16 years old, he did everything imaginable to get his drawings printed in Evergreen Review, which already published Robert Grossman, Brad Holland, Tomi Ungerer, Edward Sorel and others. By the time he was 19, he was briefly its art director.
Black Panther the movie has just been released. Marvel’s new Black Panther: World of Wakanda spin-off series just scored this year’s GLAAD Media Outstanding Comic Book Award. And here in real life, conventions and exhibitions nationwide are honoring the talents and accomplishments of black comics creators.
Though best known as one of the premiere dinosaur artists of the 20th century, the fascinating William Stout has done it all, from movie posters and film production to comic books and theme park design.
Norman Rockwell's pictorial interpretation of FDR's “Four Freedoms" hit home in 1943. They were later reprinted as posters, and the story of how these posters influenced and raised the American spirit is smartly analyzed in the catalog for the first comprehensive traveling exhibition devoted to Rockwell's depictions.
In 1979 Tom Wolfe, who passed away last Monday at age 88, wrote the introduction for an exhibition catalog Steven Heller produced about the German satiric magazine Simplicissimus (der Simpl).
Steven Heller has habitually tried to put art and design into neat categories. Yet, as he gets older (maybe wiser), he realizes that Milton Glaser is right. The bucket-concept is not realistic. Art is about growth not limitation. And style is just a surface manifestation of many options available to us all.
Steven Heller talks with Brad Holland about his distinctive brand of handlettering.
From Paul Rand to Jessica Hische, these 13 graphic designers have ventured into the craft of children’s literature, all with one notable thing in common: bringing their skills as designers to an audience just getting started in learning to read and see the world.