Jessica Svendsen, Yale School of Art grad now employed at Pentagram, handled Michael Bierut’s 100 Days Workshop in a spectacular way. Redesigning this Josef Müller-Brockmann, each approach plays with space and typography, and there are several excellent solutions, all in black and white. Below is one of the highlights, adding sharp paper forms and dimension to the typography for a striking result. Check out more here and a gallery of Svendsen’s work here. Via Grain Edit.