Steven Heller looks at the BMA's latest Big Table Gallery installation, which runs through 2015.
Vertigo, North by Northwest and Psycho are three back-to-back films from Alfred Hitchcock's late golden period—and three films that legendary designer Saul Bass also left his stylistic mark on.
Here we take a closer look at 14 brilliant letterpress and engraving designs from Neenah's ongoing series.
Steven Heller researches ebola awareness posters around the globe.
Sign painter Mike Meyer is bringing his hand-lettering workshop to New York. The event will give participants a chance to learn from one of the masters, with brushes, paint and lettering.
Steven Heller talks with Henry Brimmer about his 2014 ArtPrize entry—a commentary on our post-9/11 lives and the freedoms that now hang in the balance.
Jessica Hische's collaboration with Penguin is a lovely nod to the printed word—and an unusual and intriguing twist to a personal project that got its start online.
Valley Vista is a new gallery exhibition at California State University, Northridge—one that reaches beyond all the shallow regional stereotypes.
In this Observer column from Print's International Design Issue, Rick Poynor discusses the term critical graphic design and explains what it means for designers today.
As we approach our 75th year, we’re launching an all-new competition: Print’s Typography and Lettering Awards, with judges Paul Shaw and Jessica Hische.