Art is inspiring and inspiring art can be appreciated in many ways. Of course, some of those ways (e.g. greeting cards, wrapping paper, pop-up books and other kitsch art ephemera) are anathema to art purists. But those like me, take our art where we can find it. My favorite art proxies are made of resin and brilliantly articulated. Enter H. Bosch’s “Garden of Earthly Delights,”a sight for sore eyes, quite literally.
A new documentary film Ai Weiwei – The Fake Case by Andreas Johnsen will be out soon and the poster announcing the film is as provocative as the artists. Thanks to Kellerhouse and Johnsen I reached Ai Weiwei through email with a few questions about art and provocation, and how he felt about this particular interpretive depiction.
What’s fun about looking at old cigarette advertising is how guileless they were. Take this advertisement for Omar Cigarettes. The portrait of the gent on the links who’s played a “bully round” looks, well, like the epitome of an anti-tobacco message. The linkage between the headline “When a Cigarette Tastes Sweetest” and the wizened granddad is off the mark.
There was a time when everyone of a certain social status – upper classes mostly – carried name cards and showed them every time they visited a friend, neighbor or acquaintance. Visiting cards (also known as calling cards) were the social norm, the etiquette of 18th and 19th Century Europe (and those who aspired to be European in the U.S.A.).
Taschen’s latest mammoth volume, Fritz Kahn by Uta and Thilo von Debschitz is about a German doctor, educator, popular science writer and information graphics pioneer whose work translating the human organism into accessible human metaphors and analogies, has all but fallen into oblivion. Here is an excerpt.