International Design

The arena of international design is vast, and Imprint sorts through the chaff, highlighting exemplary work created by international design firms and small studios that would otherwise remain unknown. With an eye to discovering unique sensibilities, Imprint covers topics such as typography, posters, books, magazines, and motion graphics, showcasing European innovations, Japanese design, and work from the Middle East.

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A Chicago Tribune Geek-Out !

A crazy quilt of material concerning aspects of the Chicago Tribune that have injected themselves into J.J. Sedelmaier's personal and professional life.

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You Must Know Michael Mathias Prechtl

Michael Mathias Prechtl was one of the most original illustrators to publish regularly on The New York Times Op-Ed Page during the late 1960s and '70s.

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Print Will Never Die! Part I

"People of Print" is published in the UK with the trademark "Print Isn't Dead," and "Neshan" is the Iranian Graphic Design Magazine.

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Frida Larios’ Animales: A Museum Exhibition & International Games

Designer Frida Larios has created a pantheon of mythical graphic creatures inspired by images found on on ancient Maya codices and ceramic vases dating from c. 250 AD. Today, her creatures can be found on the uniforms of elite athletes and in a museum exhibition in her native El Salvador. In July 2014, PRINT featured...

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Mini Play in Mini Scenes

This presentation of "The Black Pirate" is about the size of a regular envelope and filled with colorfully printed sets, characters and props.

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The Bankrupt Country

Die Pleite (Bankrupt) was a radical, left-wing publication associated with the DADA Berlin movement from 1919–1924.

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La Novella de Hoy

La Novella de Hoy was a series of novels, first published in 1922, featuring renowned partners and graphics, groundbreaking and surprisingly ribald images.

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Menage a Homage Deux

Lithuanian-born, Polish-based Stasys Eidrigevicius is known for his surreal posters and illustration—as well as fantastical masks, stage sets and paintings.

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Who’s Your Daddy

Were classic French and American icons the source of the cliched socialist realism so popular during the Soviet era?