A recent Wonder Woman cover by Neal Adams has drawn criticism for its steamy and perhaps less-than-empowering depiction of the protagonist. Michael Dooley and Arlen Schumer weigh in.
Michael Dooley looks at illustrations and editorial design in Duke Magazine, the first "Playboy" for black Americans.
In light of the recently-released Deadpool movie, Michael Dooley showcases work from some of the best Deadpool comics arists.
L.A.'s art and culture scene has experienced a seismic shift. These days, the lights are much brighter downtown.
Michael Dooley talks with David Mayes and Steve Child about the exhibition "Pushing the Presses" from Typecraft Lithography's Archive Library.
In his series on graphic novels that bend the rules, Michael Dooley shows us the work of an artist whose work bends gender lines and comic norms.
Famed photographer Allan Amato created Temple of Art, in which his subjects took his portraits of them to another level by incorporating their own mixed-media visions of themselves as well.
Here Comes Kitty is the work of multidisciplinary artist Richard Kraft, a Jess for our age. Kraft has craftily transformed a 1960s Polish espionage comic into a mad, post-mod melange of Western religion and Eastern mysticism, Nazi spies and domesticated animals, the disturbingly chaotic and the playfully erotic.
Michael Dooley presents the first of a series of graphic novel suggestions that either defy or disregard categorization as comics.
Michael Dooley talks to the artists featured in the exhibition "Curiouser and Curiouser," featuring art inspired by Alice in Wonderland.