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Read our web-only interview of Joe Sacco, the author and artist of the groundbreaking graphic novel Palestine, recently released in a 15-year anniversary edition. Sacco says that "if this new edition reminds the reader of the plight of the people [in Palestine], then it still has a place."
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Click here to read more about what Chris Dixon, New York's design director, has to say about the introduction of their two new back-of-book features, Agenda and Artifact.
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Exhibition: October 5, 2007 to January 27, 2008
Sue and Edgar Wachenheim III Gallery
Humanities and Social Sciences Library, New York Public Library
PRINT's regular contributor Paul Shaw sums up the show here.
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Every week, a band of ink-smudged hopefuls submits a batch of cartoons to The New Yorker, and the rest is history—or, given the incredibly high rejection rate for the magazine’s cartoonists, is that the dustbin of history? Not anymore. Cartoonist Matthew Diffee collected a different sort of batch—a ribald, eyebrow-raising one—from his fellow artist-humorists for The New Yorker. Now there’s a second volume of tasteful tastelessness: The Rejection Collection Vol. 2: The Cream of the Crap. Managing editor Emily Gordon spoke to Diffee about the cartoon-creation process, think vs. ink, the era of the naked-cannibal joke, the importance of tater tots, and the sanity of not second-guessing your editors.
Read the interview in its entirety here.
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Esopus, an ad-free twice-yearly magazine edited by Tod Lippy, is offering copies of the first six issues and other gifts for every donation made to support the magazine.
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