Today's Obsession: Clip and Outliner

Clip, from its specimens at

Last night on this Twitter account, hooked up to his LinkedIn profile*, Stephen Coles of Typographica and said, “You can dump your drawer full of paperclip fonts now. This one can replace them.” He was totally right—this is the mother of all paperclip-based typefaces. The notion that makes this stand out from the rest is its whimsy. It’s based upon the notion of a paperclip, but it’s not constrained by it. The forms are less bent by a frustrated office drone, more fashioned by a jeweler in a moment of fun. The letters appear to dance. Geometry creates the pattern of the letters rather than the structure.

While browsing the publisher’s MyFonts page, I also found this little gem, Outliner. This is a great alternative to those crazy squashed late 19th century engravers’ sans (like Burin Sans and Sackers Gothic), rendered with a more modern touch but the same sort of whimsy those old faces have. There’s something charmingly accidental in the filled version. Both styles are specifically designed to be used with outlines of varying widths, so take a lookie-loo at their samples and go nuts.

*I am probably the one person who actually pays attention to anything at all on LinkedIn.

3 thoughts on “Today's Obsession: Clip and Outliner

  1. Patric King Post author

    …ondrej barely points out his own name anywhere in his promotional works, either at his own site or on myfonts. this is written following his example, assuming he wishes to remain in the background.

  2. Jacques Maches

    You write two long paragraphs without mentioning the designer’s name. Is this journalism?
    Just for the records, you mention and present work of Slovakian designer Ondrej Job.

  3. Pingback: Today’s Obsession: The Week’s Obsessions — Imprint-The Online Community for Graphic Designers