Arbor, a Fresh Interpretation of Caslon Italian

Chester has released Arbor, a fresh interpretation of Caslon Italian, one of the most bizarre slab serif types of the 19th century. The design, originally created for the The New York Times Magazine, dispenses with the irrational logic of its …

It's Not Nostalgia: The Skill and Vision of Lowell Bodger

Lowell Bodger, who died this past January 26 at the age of 65, was a typographer, letterpress printer, planetary cartographer, and experimental filmmaker. A selection of his films (Wave Symmetries, 1971; Favorable Conditions, 1973; A Recent Animation, 1974 and others) …

Gotham and Moderne Sans Serifs

The letters that inspired Gotham are not unique to Manhattan or New York City. Similar, though not entirely identical, capitals can be found in cities across America and Europe. Beginning in the mid-1920s, they appeared first in posters (see the …

Ten Typefaces of the Decade

In 1998, in the middle of millennium-induced listmaking mania, I wrote a short piece for Letterspace, the newsletter of the Type Directors Club, on the “top 100 typefaces of all time.” The list was based on the historical, technological, or …

Acute Priori, Ctd

Marcus Leis Allion, co-designer of Acute Priori, reviewed in Hot Type (June 2010), has written to point out that the design was inspired more by the abstract/mathematical work of Swedish artist Oscar Reutersvärd (b. 1915) than by the illustrative work …