Steven Heller talks with editor Anna-Marie Crowhurst about her beautiful new publication, The Eighty-Eight.
In the 1930s—an era before marketing committees—European book jacket designers were free to play and experiment.
It was the future. Covering 1,216 acres in Flushing Meadows, New York, the 1939 New York World's Fair was erected on what was an ash-dump.
J.J. Sedelmaier looks at "50 Years Of Schwinn Built Bicycles," an illustrated tome published in 1945.
Michael Dooley talks with Mike Salisbury, the art director behind the iconic album cover that distinguished the King of Pop from the rest of the Jackson 5.
Steven Heller reflects on how two important left wing politics, art and culture magazines from the late 1960s, Evergreen Review and Ramparts, altered his perceptions, changed his convictions and provided models for his personal and professional life.
With all its graffiti art, New York City itself is a canvas. A new exhibition at the Museum of the City of New York celebrates this eccentric art form.
Productive Arts! run by Howard Garfinkel and Larry Zeman is an essential resource for Russian and Soviet design materials (publications, posters, ephemera) produced by the leaders of the Constructivist, Productivist and Socialist Realist movements. Most recently, they published catalogs on Soviet newspapers and specifically pages designed by montagist Gustav Klutsis. I asked Zeman to...
From Facebook, to Twitter, Instagram and the retro MySpace modern day self-portraits have been around for well over a decade. Originating in toothpaste-splattered mirrors with digital cameras and pixilated web cams, the modern day “selfies” have evolved with the advancement in technology.
Since the dawn of picture making, the desire for Instagram was built into the voyeuristic nature of mankind. When photography was the new rage, long exposure portraits, shot at photography studios by trained craftsmen, were all the rage. Take a look at some vintage photos.