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Visit Crimea’s Resorts

There has clearly been a great deal of conversation surrounding Crimea. Learn more about this city’s role in Intourist, the former Soviet tourism arm.

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A Coup Worthy of Mad Men

Milton Glaser was enticed to return to a style that helped put him on the map in the ’60s for the campaign promoting the new season of “Mad Men.” Take a deeper look at Glaser’s iconic work.

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When the Ukraine Was Soviet

I recently found a catalog of Ukrainian political posters spanning the period after the Russian revolution until the early 1980s – some are surprisingly well known. In light of the apparent push from Russian President Putin to aid the Yanukovych government, seeing this now quaint the Ukrainian SSR-Soviet era posters seems like a deceivingly innocent moment in history.

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You Got A Problem?

The Wolfsonian Museum has launched its website Power of Design 2014: Complaints. As a lead-up to the event, the Wolfsonian is posting a poster-a-day on the Complaint Blog, which is also “populated” with other posts on the Museum’s incredible holdings. I will post the complaint posters once week as they come off the press. Explore the first five.

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The Enduring Power of Posters to Promote and Provoke

As Carol A. Wells sees it, “The best posters are powerful and influential. The worst are quickly forgotten.” Wells is an art historian and curator who also oversees the largest collection of socially engaged post-WWII graphics in the U.S. And …

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A Tale of Two Colin

Take a look at the work of two renowned poster artists with the last name of Colin: Paul Colin (1892 -1985) and Jean Colin (1912-1982).

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Spike Lee’s Other Poster Design Bamboozle: Saul Bass

  A poster for Spike Lee’s latest movie may be a ripoff. But it’s not the first time he’s faced accusations of unlawful design “appropriation.” Eighteen years ago, Saul Bass himself was pointing the finger. First, the latest incident. It …

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The Future of German Advertising Past

Julius Gipkens (1883-1968) was one of the masters of Plakatstil (Poster Style) in Berlin and an exponent of Lucian Bernhard’s Sachplakat (Object Poster) methodology. A self-taught artist, he founded a graphics agency, which designed for the Sarotti Mohr confection firm, Cardinal Cigarettes and the Leiser shoe company.