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Subject: March/April 2007

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jgaddy
Posts:49

03/12/2007 10:30 AM Alert 

Here's a handy list of our contents for March/April. If there's a particular feature you'd like to discuss, let us know by replying and we'll create a separate thread for it. In addition to the New Visual Artists, we also focused on DIY culture and what it means for designers. If you want to discuss that article or Friends With You, we have separate threads for those already.


New Visual Artists Review
Our annual presentation of the 20 brightest design stars under 30 years old.

Your Design Here
Are amateurs taking over? Don’t panic—DIY culture just might have something to teach us.
BY VIRGINIA POSTREL

Agency of One
Advertisers are rushing to let Joe Public make their commercials, but questions remain about control, credibility, and effectiveness.
BY ANTHONY VAGNONI

Magic Kingdom
What happens when Miami meets Japanese culture? Lots of toys, parades, and playgrounds. Behold the power of Friends With You!
BY CALEB NEELON

The Day the Yearbook Died
Dead-tree books may be passé, but kids still want a place to keep their memories—and keep them current.
BY JEFF MACINTYRE

Beautiful Dreamers
A family’s treasured mementos from two New York City high schools in the ’30s say volumes about the way the world was then.
BY PENNY WOLFSON

PRINT’s 43rd Student Cover Competition
This year, the competition gets a case of the warm and fuzzies.
INTRODUCTION BY JAMES GADDY

No Sign of the Dove
Rub-down death icons, Hebrew-slang flipbooks, reimagined book jackets—Israel’s design students do it all. Just don’t ask them to design a peace poster.
BY ELLEN SHAPIRO

The Music Man
Ten years ago, Mike Diehl started hiring star illustrators to transform an in-house Warner Bros. publication. Today, he’s still bringing visual zest to an unlikely venue.
BY MICHAEL DOOLEY

Serial-Box Surrealism
In the late ’60s, magazine-in-a-box SMS radically pushed the boundaries of art and publishing with its populist assemblage of avant-garde treasures.
BY STEVEN HELLER

Warriors, Doctors, and Explosive Deliverymen
Can Korean comics find a manga-sized audience in America?
BY DAVID WELSH
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