Poczta, illustrated by Franciszka Themerso, addresses technical knowledge, but in itself is also an example of '30s avant garde art and design. The book was published thanks to funding from the Ministry of Culture and National Heritage.
Michael Rossum has been printing small collections of design artifacts for "The Closest Friends of Kat Ran Press" for a number of years. His most recent #7 is Designs on Shaw, a sweet little appreciation of interpretations of George Bernard Shaw's work.
If you were living in an American city such as Philadelphia or Pittsburgh in years past, one of the pleasures of picking up your Sunday color sections would be finding a "Complete Novel" in a tabloid format similar to the Funny Pages. Pretty interesting method of getting readership. But not that unusual.
Mark Holt and Hamish Muir conceived one of the most progressive type journals of the mid- to late 1980s: Octavo. Unit Editions has published a complete reprint of the issues as well as reproductions of the handmade mechanicals and proofs. Here, Heller talks with Holt and Muir about the magazine.
J.J. Sedelmaier partners with Peter Paeth to bring you this extensively researched article about commercial artist Louis Paeth, whose career serves as a wonderful example of how many illustrators and designers navigated the world of commercial art during much of the 20th century.
Michael Gerber, founder and publisher of The American Bystander, is committed to print. Whereas once the field was full of funny mags, now, trenchant humor has migrated to late-night television and the digital world as populated by laff-makers too. Has this hurt the following of Gerber's magazine? Let's see.
Heller talks with Scott Boms, design lead and and studio manager of the Analog Research Lab at Facebook in Menlo Park, who is the caretaker of some Marshall McLuhan artifacts and the next generation of McLuhan thinking.
MoMA New York has acquired eight of The New York Times Op-Ed pages designed and art directed by Mirko Ilic for their collection created from 1992 to 1993.
Heller shares an excerpt from his foreword to the new book W.A. Dwiggins: A Life in Design by Bruce Kennett, which provides a history of the polymath who gave breadth to graphic design.
William M. Patton's Paper and Press Illustrated Monthly provided its audience of printers, binders and affiliated commercial artists a vivid view of the fashionable styles of the day through its editorial and advertising pages.