Finally! There’s a smart, insightful book that critically examines the works one of America’s most important comics writer-artists of the past half-century.
Chris Ware’s Building Stories blew apart entrenched meanings of “book” and “graphic novel.” So how does he top that? Well, now there’s Monograph. Let's have a look inside.
If there was a designer “best of the best ofs” list for comics, My Favorite Thing is Monsters would easily be 2017's winner. As it is, Emil Ferris' breakthrough, groundbreaking graphic novel seems to have appeared on practically every comics-centric books-of-the-year list.
Fletch Hanks was described as "the most bonkers comic book creator ever." He created with a distinctive voice unlike any other, for better or worse.
In memory of 1960s underground comix artists Skip Williamson and Jay Lynch, Michael Dooley explores some of their most distinctive work.
Calling all fans of animation, history, satire, illustration and more: Explore Michael Dooley's comprehensive list of comics books and graphic novels from 2016.
Steven Heller talks with Art Spiegelman about the new edition of Si Lewen's wordless narrative "The Parade."
Michael Dooley delves into the work of French Charlie Hebdo illustrator Joann Sfar, whose Instagram images have sparked controversy.
The Presidential candidate may be convenient for cheap laughs, but Harvey Kurtzman’s Trump, a witty graphic humor magazine, deserves our serious respect.
If you’ve been captivated by the bold, atmospheric cinematography of Daredevil‘s first season on Netflix, you might want to seek out the similarly stunning comic book version by Alex Maleev. Series executive producer Jeph Loeb credits Maleev as a key visual influence: “With Alex’s art, we looked at that and said ‘that’s the look...