José Reyes and his team at Metaleap Creative show the real potential of a typically restrictive design project with their major redesign of Georgia State University’s alumni magazine. Check out a sample interior here. Via SPD.
Color persuades—this we know for sure. So studying color in marketing, the ultimate persuasion business, seems ripe for fascinating insights. Here’s a dive into some of the latest research on the topic. I can’t think of a longer-lasting, higher-stakes design decision than choosing your logo design and palette, so colors of major web brands...
Lovingly packaged with full-color illustrations on every page, “ROY G. BIV” is a great reference or inspiration for designers, artists and color-fans of every stripe. Take a rollicking tour through Jude Stewart's book.
In fact, according to SFGate.com, where the article appeared, "orange or Siamese cats are usually adopted within their first day at a shelter."
I can only hope that fluttering some gorgeous color eye candy before your eyes will produce a lovely warming (or cooling) effect, depending on where you are.
Imagine if digital and analog color could be simply, objectively interchanged. No matching samples, no worrying over the altering effects of ambient light, screens or perception. This is what George Yu set out to provide with NODE+chroma.
In this Imprint series, Sagi Haviv discusses principles of identity design as they manifest in trademarks created by his firm, Chermayeff & Geismar & Haviv. This article looks at major global organizations, all of which have women as their focus, and how feminine energy is channeled into their identities.
Emrich Office created this packaging for a Mexican chocolate stout by Copper Kettle Brewing. It features details and illustrations that evoke Aztec and other ancient indian cultures, upon which the recipe is based. The final label was printed using copper ink. See more images here. Via Creative Roots.
This logotype by Michelle Wang for a fictional, unconventional ballet troupe makes good use of motion by linking the letters in illustrative ways. Via We Love Typography.
Jeff Kleinsmith, art director at Sub Pop, has kept the standards for design at the label high. This artwork, created by Sara Cwynar, for Washed Out’s Paracosm is the latest to evoke the mood of the music with design. Via Sub Pop and ADC Young Guns.