Michael Dooley showcases work by "wonder women"—that is, female comic writers and artists—from this year's San Diego Comic Con.
In memory of the late Darwyn Cooke, Michael Dooley gathers tributes and remembrances by a dozen or so of his associates, friends and admirers from the graphic arts.
A recent Wonder Woman cover by Neal Adams has drawn criticism for its steamy and perhaps less-than-empowering depiction of the protagonist. Michael Dooley and Arlen Schumer weigh in.
In light of the recently-released Deadpool movie, Michael Dooley showcases work from some of the best Deadpool comics arists.
In his series on graphic novels that bend the rules, Michael Dooley shows us the work of an artist whose work bends gender lines and comic norms.
Famed photographer Allan Amato created Temple of Art, in which his subjects took his portraits of them to another level by incorporating their own mixed-media visions of themselves as well.
Here Comes Kitty is the work of multidisciplinary artist Richard Kraft, a Jess for our age. Kraft has craftily transformed a 1960s Polish espionage comic into a mad, post-mod melange of Western religion and Eastern mysticism, Nazi spies and domesticated animals, the disturbingly chaotic and the playfully erotic.
Michael Dooley presents the first of a series of graphic novel suggestions that either defy or disregard categorization as comics.
Michael Dooley delves into the work of French Charlie Hebdo illustrator Joann Sfar, whose Instagram images have sparked controversy.
In this PRINT exclusive, Michael Dooley showcases work from Comic Book Apocalypse: The Graphic World of Jack Kirby.