This summer Danish film director Nicolas Winding Refn, known for such films as “Bleeder,” “Valhalla Rising,” “Fear X,” and “The Neon Demon,” launched the site “byNWR,” which celebrates long forgotten exploitation films of the 1960s and 1970s. Restored films such as “The Nest of the Cuckoo Birds (1965)” and “Shanty Tramp (1967)” are not...
There's the bad kind of vinegar syndrome and the good kind. The latter si based out of Connnecticut and is saving vintage movies from an untimely demise.
A new film, How To Steal A Chair, follows 72-year-old Stergios Delialis as he realizes he has become a ghost in his own life and contemplates parting with his collection. Meanwhile, he undertakes to produce a retrospective of his own design work in the building of his lost museum.
It’s about time Print got in on all the nutty Twin Peaks theorizing.
Dooley digs into the ways Midcentury California artists exploited and drew influence from comics like Flash Gordon with adventurous vitality.
Steven Brower explores the work of Don Record, a lost designer whose work defined Hollywood's early film titles.
Steven Brower explores the visual art of Orson Welles.
The bold new Criterion Designs coffee table-sized hardcover includes video packaging designs that are a joy to behold. Michael Dooley explores.
A notable quote from Woody Allen, illustrated by Seymour Chwast — number 162 in a weekly series. For more Seymour Chwast, check out The Last Word, his illustrated column in Print magazine, available from MyDesignShop.com.
Andy Warhol's journey from a struggling, unkempt graphic artist to an internationally renowned visual artist began in the magazine world.