Andy Warhol's Attraction to Herbert Bayer's Lips

When Alexey Brodovitch was art directing Harper’s Bazaar, he ran a striking cover by Herbert Bayer for its 1940 “College Fashions” issue. A three-quarter view photo of a woman’s face is duplicated in two rows of four: a clear newsstand …

Pop Art, Politics, and Critiques of Contemporary Culture

  Popular culture, capitalist critique, and female empowerment are among the topics of this, the last of a three-part feature on “Pop and Politics,” one of the programs at the 100th annual College Art Association conference in Los Angeles. Part …

The Pleasures, Politics, and Proto-Feminisms of Pop Art

In 1963, Betty Friedan’s The Feminine Mystique drew attention to the stifling state of American womanhood, and Roy Lichtenstein painted what might be considered a visual analogue: “Drowning Girl”, who’d rather be engulfed by tidal waves than call Brad for …

Politics of Pop: Warhol’s Working Class SuperHero

  Anthony E. Grudin cares about the working class. He also cares – a lot – about Andy Warhol. Not the later Warhol, who pandered to high society celebs, but the younger man, with one foot headed for the galleries …

4:02 PST. The L.A. Art Scene's Original Culture Jammers, part 2

This is the second half of my interview with Claudia Bohn-Spector and Sam Mellon, curators of Speaking in Tongues: Wallace Berman and Robert Heinecken, 1961 – 1976, a Pacific Standard Time exhibition currently at the Armory Center for the Arts. …

4:01 PST. The L.A. Art Scene's Original Culture Jammers, part 1

Several decades before AdBusters, there was Wallace Berman and Robert Heinecken. Hardly anyone knew that these two media-manipulating L.A. hipster artists were intimates, beginning in the early 1960s. But now their relationship has been exposed to the public for the …