When tracing the history of groovy patterns and far-out typography unique to psychedelic design, the Doors of Perception don’t always open onto the 1960s.
Psychedelics are usually seen in color. But there was a black-and-white side to the experience represented here in the work of Lee Conklin.
Steven Heller takes a look at VICTOR MOSCOSO: PSYCHEDELIC DRAWINGS, 1967–1982, curated by Norman Hathaway and Dan Nadel.
Michael Dooley presents a designer's guide to the 21 Best Comic Book Artists from Comic-Con 2015.
It is called Lausanne Underground Film & Music Festival, but people prefer to use the acronym LUFF. Currently—as I write this, it is on, in its 11th year—the festival is known for the panoply of music creation and cinematography “left in the shadow of the mainstream culture,” says the festival branding and poster...