The wonderful print juxtapositions in "Dewar's Profiles New York" of Scotch and average successful drinking folk still hold Steven Heller's attention.
The man in this photo yelling "Hail Trump" is making a graphic statement. The salute recalls Fascism, the propagation of which is bolstered by design.
What I liked about '80s design was its disco, anything goes, Studio 54, modernist-be-damned reverie—such as Knoll's Venturi chairs.
Simply pop a Swanson turkey dinner in, heat and serve, and just be thankful we live in a new America where turkeys roam free on the gravy train.
Steven Heller offers a peek at his secret stash of Milton Glaser's sketches.
This Jonestown pamphlet is an eerie reminder that graphic design can always be a weapon of mass delusion.
Klaas Verplancke introduces kids to the work of René Magritte with his new book "Magritte's Apple" (MoMA).
Designer Lee Bearson looked into producing "Make America Vote Again" hats ... and discovered Zazzle is totally sold out of red hats.
I've long been fond of Streamline Modernism—the marriage of speed, kinetics, machines and the Avant Garde that manifests in trains, boats, planes and cars.
Steven Heller talks with Veronica Ettedgui, who has turned her project "LOVE: A Typography Challenge" into a new book.