Aaron Burns reveals a new "era for typography wherein the present is almost obsolete."
Keith Godard's new book "Book Mates" pushes the boundaries of what can be done in the medium.
Even in the hell known as the European trenches of World War I, there were comic and satiric newspapers being published on all sides called Trench Newspapers.
This week marks the opening of Viktor Koen's "Bestiary, Bizarre Myths & Chimerical Fancies" at United Photo Industries Gallery.
"Ghostletters Vienna" stands as a visual monument to these palimpsests of an urban microcosm that once was.
On Nov. 12 I will be the host for a wonderful array of talks on the state of design books: DESIGNERS & BOOKS FESTIVAL: ONSTAGE & OFFSTAGE.
As graphic designers who specialize in logos and trademarks, Mark Fox and Angie Wang have done a splendid job in "Symbols: A Handbook for Seeing."
Josh O'Neill has been been hard at work for the last few years to bring Herbert Crowley's amazing forgotten worlds back from the vaults.
Times have changed but some attitudes remain the same. Steven Heller looks at a piece of design history recapping Gunnar Myrdal.
Steven Heller talks with Thomas Bohm, author of "Published Punctuation," about his research into typographic legibility for the masses.