Taschen

Postcards from the Edge: An Interview with Jim Heimann

When I was a kid, I loved to buy postcards from places along the route of my family’s dreaded annual road trip. This was 1980s America, so most of the postcards—unless they were vintage-inspired or found at thrift stores—had no charm and reeked of boosterism. They offered little visual delight, but the ones that...

The Fuse Box: Faces of a Typographic Revolution

It’s 1994 and Steve Heller is on a rant about a Fuse magazine font called LushUS. It’s “an abominable typeface. It’s…” “… vernacular carried to an extreme?,” I offer. “Vernacular carried to stupidity,” he replies. “It ain’t funny. There are certain extremes that are unnecessary, or too ingrown. Design for design, and so what?” So...

Trespass Reviewed

Recently I received a copy of Trespass: A History of Uncommissioned Urban Art, a 324-page release from Taschen edited by Ethel Seno and written by Carlo McCormick and Wooster Collective‘s Marc and Sara Schiller. It’s a lovely book, well up to Taschen standards, and if anyone is looking for a wide-ranging collection of street...