Learn about the fascinating epic tale behind the lost typeface Unica—and its digital rebirth as Neue Haas Unica.
Print's latest Designer of the Week, Rae Kreutzer, talks tactile experiences, challenging the status quo and the joys of being a type geek.
Paul Shaw charts the bold (and at times, bizarre) evolution and history of typography within Print.
What started out as a holiday greeting turned into an award-winning typographic poster design. View Lesli Ink's hand-drawn golden typography.
Advertising designs showcase graphic design’s power. The ability to encourage people to buy a product, attend an event, or to change a previously-held perception through one graphic design creation is simply astounding. Creating great advertisement copy involves interdisciplinary approaches in both visual and verbal communication—branding, typography, images, contrast, unity and hierarchy intertwined to deliver a...
When approaching the ideation process for brand identity and logo design, one of the most crucial considerations is the typeface selection. What will be of the best use — serif, sans serif, decorative or script? A typeface infuses your design with emotion and meaning, defining your brand’s identity in every medium, from packaging and editorial...
Print explores the 1964 typography-focused issue art-directed by Aaron Burns, revealing pieces by Paul Rand, Herb Lubalin, Jan Tschichold and more.
A conversation with the "Mad Typographic Scientist" who manages to perplex, awe and outrage while simultaneously changing the way we look at type.
Print's latest Designer of the Week and recent RDA winner Austin Dunbar talks side projects, cool beer labels and keeping typography top of mind in all his work.
Steven Heller takes a look at the inspiring design of his mom's 1936 high school yearbook.