Mussolini, Fascism, and the posters that tried to save it all.
Meet Jessica McCarty of Magpie Paper Works—designer of "invisible" typefaces whose daily life consists of stumbling upon the craziest of visual inspiration.
At Typographics 2016, Tobias Frere-Jones discussed how we can learn from the past when aiming to deliver typographic detail on screen.
Check the details about a new typography webinar from Monotype's Dan Rhatigan.
The Kelly-Winterton Press has launched a Kickstarter to fund a book on the work of one of the greatest calligraphers of our time, Alice Koeth.
How did Helvetica become the typographic celebrity that it is today… and why didn’t Univers land the role instead? In this piece from Print's Spring 2016 Issue, Paul Shaw takes us on a guided tour through type history.
Steven Heller talks with June Corley about her playful and eccentric typographic sculptures.
The Letterform Archive has just announced it is the new home of the Emigre archive.
Under Nazism, type was as political as everything else. Sans suggested Modernism, and Modernists were degenerates. But then there's Die Jungenschaft.
Josh MacPhee charts the representation of the Black Power movement in book cover design.