Steven Heller believes Polish graphic design is the most original, meaningful and expressive of any Western country—and the new book VeryGraphic proves it.
Steven Heller saves a pamphlet by Karl Marx (on The Civil War in France) from its way to the garbage dump.
Steven Heller talks with Jayme Odgers about his amazing life, and his amazing work.
Did the legendary Aaron Burns predict the future of typography back in 1986?
Here are some printers' advertisements from the early years of World War I. The output was extraordinary, and all the major artists/designers were conscripted, like Louis Oppenheimer.
Typography is one of the most vital keys to successful design—and Print’s Typography & Lettering Awards is here to celebrate it. Enter today. The creative and strategic application of shadows and three-dimensional features to type and lettering has been in practice for centuries. In the past, letters with relief and shadow have been used...
Read about Adrian Fruitger's renowned typeface Univers from this 1961 Print magazine article.
This bodybuilding booklet is a wonderful example of pulp typography, ham-fisted airbrushing and untutored layout. All together a beautiful cacophony.
The team behind Pressing On: The Letterpress Film talks with "hot metal typesetting junkie" Jim Daggs.
Steven Heller reflects on Mildred Friedman's 1989 "Graphic Design in America: A Visual Language History"—the first major graphic design exhibition in the US.