When the organizers of The Golden Camera wanted to make an impression, they knew they needed a brand identity that would be as eye-catching as the winners.
During Mussolini's regime, most anything designed was created with the Fascist emblem, uniform or representation of either or both.
Ardengo Soffici's work is among the rare finds of early Modernism that are not as well known in Italy as they might be.
Tactfully kerning letters to the appropriate places and ensuring that the lines of text are at the perfect leading size for easy legibility are tasks that we typography nerds revel in and get lost in. We obsess over the microscopic details of alignment and placement. Fortunately for us, InDesign has useful features to make...
Italian graphic design comes in many shades of strange. These are the kind of eclectic artifacts that are getting harder and harder to find in the new digital purgatory.
Valnoir's new book "Fire Work With Me" is not for everyone, but everyone should take a look.
A Q&A with Craig Welsh who, for over a year, has been creating the Lustig Elements font, colorful prints based on the font, and a documentary film about the font.
Arden Riordan has released a large gallery featuring the work of her father, book design guru Roy Kuhlman.
Diego Vainesman, chairman emeritus of the Type Directors Club, recently returned from Havana, where he was seeking typographic treasures.
More and more cities are using individual proprietary fonts. Such is the case for Tilburg, The Netherlands, which now has the TilburgsAns face.