Saul Bass designed the poster for West Side Story, right? Wrong.
Steven Heller talks with German scholar and author René Spitz about the design challenges involved in republishing Hitler's blueprint for the Holocaust, Mein Kampf.
Jandos Rothstein examines and illustrates principles of aerial and linear perspective in typographical hierarchy.
During the early 20th century a surge in Late Baroque or Rococo mannerisms were the rage for graphic and advertising design.
Steven Heller talks with the creator of a new Kickstarter book about A.G. Fronzoni, a designer of beautiful minimalism who is largely unknown in the U.S.
Steven Heller is always on the lookout for letterforms and typefaces that uniquely symbolize the spiritual, religious experience—ecclesiastical typography.
Jonathan Hoefler released his first video this week promoting his latest collaborative type family, "Operator."
White space eventually became the hallmark of graphic design Modernism, but it happened gradually. We've learned to never underestimate its graphic power.
The copyright restrictions for Adolf Hitler's incendiary "Mein Kampf," the rant that foretold the Holocaust, were lifted this year.
Klaus Wittkugel was the most significant East German graphic designer during the '50s and '60s, but until now he was unknown in the West.