Today, designers revere type and the maestros who make it, but it used to be sold to printers like so many nails or screws. Steven Heller takes a look back.
Steven Heller talks with Purgatory Pie Press about its curious new typographic letterpress datebook.
Dwiggins, who off-handedly coined the term "graphic design," despised the design of U.S. currency and campaigned for a complete overhaul.
When Leo Lionni was art director of Fortune magazine, he created How to Read Fortune In Bed, a content-driven typographic promotion.
Steven Heller takes a look at Ladislav Sutnar's Sweets Catalog design system, and Misha Beletsky's work on the brand.
The "StereoType" exhibition in Boston veers from conventional typography by incorporating elements of time, movement and the third dimension.
Discover Vojtech Preissig — a Czech typographer, printmaker, designer, illustrator and teacher you're not likely to see in many design history books.
Steven Heller talks with designer and publisher Franco Cervi about his typeface Base.
While digging through vintage issues of Print, Steven Heller uncovered two rarely seen works from Ladislav Sutnar and Tom Eckersley.
To celebrate turkey day, let's look at some other, non-eatable fowl—the typographic kind.