The Tolerance Poster Exhibit curated by Mirko Ilic has been seen a whopping 29 times in 18 countries, with three more on the way. See some of the posters here.
The second edition of Citizen Designer: Perspectives on Design Responsibility, edited by Veronique Vienne and Steven Heller, seems more appropriate than ever.
In 1948, designer, typographer and illustrator Thomas Maitland Cleland gave a talk on the nature of "'Progress' in the Graphic Arts." Here, Heller reproduces the printed version as an example of design criticism before the age of design criticism.
Hope to Nope the book includes more than 145 examples of graphic design & politics, all selected to demonstrate the role of graphic design in influencing opinion, provoking debate and energizing activism during one of the most politically charged decades in recent history.
"Be My Cover: An Exhibit of Contemporary Cover Design" features 100 of Penguin Random House’s most iconic book covers. The selection gathers book covers published worldwide within the past 10 years by more than 15 imprints from Penguin Random House. This work has been created, or art directed, by 33 designers straddling the Atlantic,...
Danné Ojeda Hernandez's Vanitas book series makes literal the allegory of a book as a portrait of its author’s inner matter. With the help of Magnetic Resonance Imaging (MRI), the anatomic representation of the author’s skull and brain becomes the book content.
Everyone wants to be innovative, but few willingly work toward a culture of raw, risk-taking creativity. Slowly but surely, that's changing at companies like GE, Turner, and Capital One who have implemented design thinking in their day-to-day business practices.
J.J. Sedelmaier partners with Peter Paeth to bring you this extensively researched article about commercial artist Louis Paeth, whose career serves as a wonderful example of how many illustrators and designers navigated the world of commercial art during much of the 20th century.
Heller talks with Scott Boms, design lead and and studio manager of the Analog Research Lab at Facebook in Menlo Park, who is the caretaker of some Marshall McLuhan artifacts and the next generation of McLuhan thinking.
During the period of the film industry's Production Code (The Hays Office), Hollywood imposed its own rules governing the depiction and non-depiction of sex in the movies. So clever filmmakers resorted to metaphor, symbolism and innuendo to get the idea of intimacy—sex—across.